Fantasy worlds

Atlantis was a real estate scam – and 9 more crazy fictional worlds

Image: Artem Sapegin

Fiction has given us worlds beyond comprehension—realms where logic collapses, physics defies expectation, and imagination reigns supreme. From cities in the sky to entire worlds beneath our own, some of these fictional places have captivated us since their creation. Join us on a fantastical journey through some of the quirkiest and most head-scratching of these imagined worlds.

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Lewis Carroll’s 1865 Alice’s Adventures in Wonderland conjured a world where words, rules, and even size lose all meaning. Time halts at tea parties, cats vanish mid-sentence, and logic itself becomes nonsense.

Carroll, a mathematician and Oxford don, infused what at first glance seems like just a children’s story with riddles, puns, and complex paradoxes. The book’s wordplay critiques Victorian social norms while subtly introducing mathematical and logical concepts.

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A technicolor realm of talking animals, magical shoes, and wicked witches, L. Frank Baum’s 1900 classic The Wonderful Wizard of Oz reshaped children’s literature forever. Baum’s storytelling introduced a vivid fantasy world filled with unique characters, whimsical landscapes, and moral lessons that appealed to both children and adults.

Characters like the Tin Man and the Cowardly Lion have become iconic figures in American popular culture for generations. The 1939 MGM film starring Judy Garland cemented the book’s imagery, leaving an enduring influence on film, theater, and the broader cultural imagination.

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An island where no one grows up and pirates battle endlessly, J.M. Barrie’s Peter Pan debuted in 1904 and quickly became a lasting symbol of escapism. Barrie first introduced the character in a 1902 play before expanding the story into his 1911 novel, embedding themes of adventure, imagination, and the tension between childhood and adulthood.

Psychologists and literary scholars often reference Neverland as an allegory for arrested development, representing the desire to remain permanently in a state of innocence and freedom.

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A wardrobe that opens to another world, talking lions, and epic battles of good versus evil—C.S. Lewis’s The Chronicles of Narnia (first published in 1950) created a richly imagined fantasy universe.

Drawing on Christian allegory, classical mythology, and his own experiences in World War I, Lewis crafted seven novels that explore courage, faith, and moral growth through fantastical adventures. The series has had a profound cultural impact, inspiring stage adaptations, radio dramas, films, and countless illustrated editions.

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A floating island of science, invention, and eccentric rulers, Laputa appears in Jonathan Swift’s 1726 Gulliver’s Travels. The island hovers in the sky, controlled by magnets, and is inhabited by scholars obsessed with abstract mathematics, music, and astronomy—often to the detriment of practical life below.

Swift, a master of satire, used Laputa to lampoon the scientific and political elite of his time, highlighting their detachment from practical, everyday concerns. Its striking imagery has also had a lasting impact on the depiction of futuristic societies and utopian civilizations.

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Rolling hills, cozy hobbit holes, and a peaceful, pastoral life—J.R.R. Tolkien’s Shire, introduced in The Hobbit (1937) and The Lord of the Rings (1954–55), embodies an idyllic, pre-industrial England beneath the veneer of a fantasy world.

Tolkien, a scholar of languages and mythology, infused the Shire with intricate customs, poetry, and festivals, aiming to create a mythology for England that he felt was missing—one that celebrated simplicity, community, and harmony with nature.

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A hidden plateau where dinosaurs and prehistoric creatures survive, Arthur Conan Doyle’s 1912 novel The Lost World introduced readers to a thrilling world untouched by time. Doyle’s story follows Professor Challenger and his expedition as they encounter giant reptiles, ape-men, and other wonders on a remote South American plateau, blending adventure with early paleontological speculation.

Doyle was likely inspired by Mount Roraima, a flat-topped plateau in South America’s Guiana Highlands. Its sheer cliffs, isolated ecosystem, and mysterious cloud-covered summit provided a tangible model for the novel’s prehistoric world.

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A legendary sunken city, Atlantis was first described by Plato in his dialogues around 360 BCE. According to Plato, Atlantis was a powerful and advanced civilization that sank beneath the ocean in a single day and night of catastrophic events, serving as a cautionary tale about hubris and moral decline.

Despite its origin as a philosophical example, many scholars believe Atlantis was inspired by the real-life Minoan civilization on Crete. The Minoans were an advanced maritime society whose cities, such as Knossos, were eventually devastated by natural disasters, including the volcanic eruption of Thera (Santorini) and subsequent tsunamis.

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A hollow Earth filled with prehistoric creatures and lost civilizations, Edgar Rice Burroughs’s Pellucidar (1914) imagines a world at the center of the planet, lit by an eternal inner sun. The series follows David Innes and his adventures among tribes of humans, dinosaurs, and other strange beings, blending swashbuckling action with imaginative geography.

Burroughs drew inspiration from the era’s fascination with unexplored frontiers and the Hollow Earth theories popular in the 19th century. Pellucidar has influenced later science fiction and adventure literature, inspiring works that explore hidden worlds and isolated ecosystems.

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A mysterious Scottish village that appears for only one day every hundred years, the legend of Brigadoon draws on deep-rooted folklore from the Scottish Highlands. The tale likely originates from myths of fairy-haunted glens and hidden villages, where magic protected communities from outsiders and the passage of time.

Such stories often emphasized the danger and allure of the supernatural, reflecting local beliefs about enchanted landscapes and the thin boundary between the human and fairy worlds.

Deep roots

11 everyday words with indigenous roots

English is a very welcoming language in the sense that it incorporates terms from many other languages from all over the world. And, as it couldn’t be otherwise, Native American languages have lent many of their words and terms to English speakers. Some traveled through Spanish or French before settling into English, and others arrived directly through early contact and trade, helping shape the way we speak today. Did you know about these 11 terms?

The word "canoe" comes from the Taino term canoa, which was first used by Caribbean islanders long before Europeans arrived. Early explorers adopted it to describe the slim, sturdy boats they saw.

Over time, "canoe" became the standard English word for a small paddled craft. Today it still carries that sense of simplicity and closeness to nature.

The word "barbecue" comes from barbacoa, another Taino term for a wooden frame used for cooking meat over fire. Europeans adopted it and applied it to both the method and the gathering itself.

Today, "barbecue" means everything from a backyard cookout to a regional cooking style. Its origins highlight the deep culinary influence of Native Americans in the nation's current culture.

"Skunk" comes from the Algonquian word squnk, which means "urinating fox" (quite a fitting term, indeed). This was an obvious reference to the animal’s strong defensive spray. Early settlers adopted the term directly.

Since English had no better name for the creature, the Native word stuck. Today, the word skunks is also used as playful slang.

The word "moose" originates from Eastern Abenaki, a part of the Algonquian family, where it meant "he strips off bark." Yes, it described the animal’s habit of tearing bark from trees.

The name entered English quickly because settlers relied on Native knowledge of local fauna. The word remains unchanged because of its accuracy and usefulness.

"Raccoon" comes from the Powhatan word arakun, meaning "he scratches with his hands." It described the animal’s clever, humanlike front paws.

Settlers adopted the term because it captured the creature’s behavior beautifully. Today, the raccoon is used as a household symbol of curiosity, not unlike the animal itself.

The term "chipmunk" most probably comes from the Ojibwe word ajidamoo, which means "one who descends trees headfirst." Early English settlers adapted the sound into today’s form.

Though the spelling changed over time, the lively image of a chipmunk racing down a tree face-first stayed.

The word "caribou" comes from the Mi’kmaq term qalipu, which means "snow shoveler," referring to the animal’s habit of digging through snow for food.

French settlers brought the word into English, keeping its descriptive nature. The name still connects the modern animal to the winter landscapes it belongs to.

"Totem" comes from the Ojibwe word ototeman, which means "kinship group." It described symbols representing clans and shared roots.

English adopted it to describe carved poles and symbolic elements. Though broader in modern usage, it still hints at the original sense of community, identity, and heritage.

"Coyote" comes from the Nahuatl word coyōtl, which was used by Indigenous tribes of central Mexico. Spanish speakers adopted it, and English borrowed later.

The word kept its meaning, and it remains one of the most direct links between the English language and Nahuatl.

The tasty avocado’s name traces to the Nahuatl word ahacatl, which refers to the fruit and to a body part as well. Spanish speakers transformed it into aguacate.

Later on, English speakers adapted it to avocado. While the name sounds contemporary and culinary, it has ancient Native roots.

The last Nahuatl word and also the last word on the list comes from the term xocolātl, which describes a bitter cacao drink that was consumed long before Europeans arrived in America. The name traveled from Spanish to English.

Though the product changed dramatically, the word survived. Today, chocolate is a universal symbol of sweetness, with rich and deeply indigenous roots.