Stick to the beat

"Every breath you take" and 10 other songs that can save lives

When someone needs CPR, rhythm matters. A steady beat between 100 and 120 BPM (beats per minute) helps keep compressions at the right pace. Many people remember that the Bee Gees’ hit "Stayin’ Alive" is one of those anthems that lives in that sweet BPM spot. But here is a list of 11 songs that are iconic, catchy, and, yes, can help save a life.

This is the CPR anthem for a reason. Not only does the beat sit perfectly in the recommended range per the American Heart Association (100-120 bpm), but the song actually became part of CPR training after doctors realized its tempo matched ideal compressions per minute.

Barry, Robin, and Maurice Gibb wrote "Stayin' Alive" in a matter of days. The song was written in 1977 specifically for the Saturday Night Fever soundtrack, and the Bee Gees wrote a total of four tracks for the film. It hit number one around the world and has never really left. But its second life as a CPR tool may be its greatest legacy.

This 80s anthem became one of the most played songs in radio history. Its minimalist guitar pattern and calm, deliberate tempo make it especially easy to follow during CPR; steady, predictable, unhurried.

Author Sting, who composed it while on holiday in Jamaica in 1982, says that he woke up one night with the first three lines in his mind and sat down at the piano to write it; half an hour later, the best-selling single of 1983 was finished. It has been called "the most played song in radio history."

"Respect" was written and originally recorded by Otis Redding, released in 1965 as a single.

When Aretha Franklin reimagined it, she showed up at the New York studio with the arrangement worked out in her head, including the iconic spelling of R-E-S-P-E-C-T, which she developed with her sisters Carolyn and Erma.

When her version was released in 1967, it was a statement of independence. It topped the Billboard charts and won Franklin two Grammy Awards. But perhaps its biggest pride was being ranked number one in the 2021 Rolling Stone list of "Greatest Songs of All Time."

A beat that can save lives, or at the very least have everyone nodding along. Bassist John Deacon came up with that iconic bass line after getting inspired by funk and disco, especially the band Chic’s "Good Times." The groove was so good that Michael Jackson approached Queen and said to them, "You guys are mad if you don't release it as a single." The band wasn’t convinced, but followed the advice.

Michael Jackson was right. The song became Queen's best-selling single, with sales of over 7 million copies, and stayed on the Billboard Hot 100 for almost a year. Silvester Stallone, creator and star of Rocky, wanted to use the song in the first installment of the boxer’s movie. The band declined, and he turned to Survivor, who created "Eye of the Tiger."

When Gloria Gaynor recorded this anthem, she was wearing a back brace from her hips to her underarms. She had suffered a serious fall on stage in New York, had undergone spinal surgery, and was recovering.

But producers Freddie Perren and Dino Fekaris insisted that this new song be recorded. It was released in 1978 and quickly became people’s favorite. Gaynor later said that when she sang "I will survive," she was thinking about surviving her surgery. This song is a universal anthem of resilience and empowerment; It’s only proper that we should remember that it can help others survive, too!

In 1982, Queen rejected Sylvester Stallone’s request to use "Another One Bites the Dust" for Rocky III. So the star called Survivor’s songwriters Jim Peterik and Frankie Sullivan, who sat down to record a demo for him.

Stallone liked the demo very much that he used that very version in the film, without waiting for the studio re-recording. This song is now synonymous with motivation and dedication. That punchy opening guitar riff is one of the most famous intros in rock.

Michael Jackson didn't write this one. It was written by singer Siedah Garrett and composer Glen Ballard, after Quincy Jones invited a group of songwriters to his home and told them simply: "I just want hits."

It peaked at No. 1 in 1988 and remains one of Jackson’s most socially conscious recordings. The slow and steady tempo is right at the bottom of CPR’s rhythm sweet spot.

You can dance, you can jive… And, yes, you can use it to keep your tempo. ABBA’s only No. 1 hit in the United States, and arguably the happiest three minutes in ’70s pop. The group reportedly knew it was special the moment they recorded it.

"Dancing Queen" was written by Benny Andersson and Björn Ulvaeus, who originally titled it "Boogaloo." ABBA performed the song in 1976 in a televised gala celebrating the wedding of the Swedish King and Queen, the night before their actual wedding. It very quickly became the group’s biggest international hit.

Fun fact: this was originally written by a Philadelphia musician named Robert Hazard in 1979. So, it was sung from a male perspective, explaining to his parents why girls just wanted to have fun.

When producers brought the song to Cindy Lauper, however, she found the original lyrics unacceptable: she agreed to rewrite it into a feminist party anthem. The result became one of the defining songs of the 1980s. Today, Cindy Lauper’s classic is high-energy, bright, and reliable, another well-known song to give CPR to, right at the top of the ideal range at 120 BPM.

This song was born as a direct response to Neil Young's songs "Southern Man" and "Alabama," which Ronnie Van Zant felt unfairly painted the entire South as racist. It was published in 1974 and became the band’s highest-charting single. Young later said that he respected the shot the band had thrown at him, because he later found his own song "Alabama" condescending and accusatory.

Through the years, "Sweet Home Alabama" became a stadium staple, a movie soundtrack regular, and a symbol of classic Southern rock. Plus, now you know that that strong mid-tempo groove is a CPR metronome in disguise.

Craig Reid, who wrote the song in the 80s, said about it, "I knew it was a good song, maybe even a single, but I had no idea how popular it would become." For some years, it had modest success in the UK. Then, it appeared on the soundtrack of the 1993 Johnny Depp film Benny & Joon, which skyrocketed its fame.

The march-like beat at 116 BPM is practically designed to keep you on pace, which, when you're performing CPR, is exactly what you need.

Deep roots

11 everyday words with indigenous roots

English is a very welcoming language in the sense that it incorporates terms from many other languages from all over the world. And, as it couldn’t be otherwise, Native American languages have lent many of their words and terms to English speakers. Some traveled through Spanish or French before settling into English, and others arrived directly through early contact and trade, helping shape the way we speak today. Did you know about these 11 terms?

The word "canoe" comes from the Taino term canoa, which was first used by Caribbean islanders long before Europeans arrived. Early explorers adopted it to describe the slim, sturdy boats they saw.

Over time, "canoe" became the standard English word for a small paddled craft. Today it still carries that sense of simplicity and closeness to nature.

The word "barbecue" comes from barbacoa, another Taino term for a wooden frame used for cooking meat over fire. Europeans adopted it and applied it to both the method and the gathering itself.

Today, "barbecue" means everything from a backyard cookout to a regional cooking style. Its origins highlight the deep culinary influence of Native Americans in the nation's current culture.

"Skunk" comes from the Algonquian word squnk, which means "urinating fox" (quite a fitting term, indeed). This was an obvious reference to the animal’s strong defensive spray. Early settlers adopted the term directly.

Since English had no better name for the creature, the Native word stuck. Today, the word skunks is also used as playful slang.

The word "moose" originates from Eastern Abenaki, a part of the Algonquian family, where it meant "he strips off bark." Yes, it described the animal’s habit of tearing bark from trees.

The name entered English quickly because settlers relied on Native knowledge of local fauna. The word remains unchanged because of its accuracy and usefulness.

"Raccoon" comes from the Powhatan word arakun, meaning "he scratches with his hands." It described the animal’s clever, humanlike front paws.

Settlers adopted the term because it captured the creature’s behavior beautifully. Today, the raccoon is used as a household symbol of curiosity, not unlike the animal itself.

The term "chipmunk" most probably comes from the Ojibwe word ajidamoo, which means "one who descends trees headfirst." Early English settlers adapted the sound into today’s form.

Though the spelling changed over time, the lively image of a chipmunk racing down a tree face-first stayed.

The word "caribou" comes from the Mi’kmaq term qalipu, which means "snow shoveler," referring to the animal’s habit of digging through snow for food.

French settlers brought the word into English, keeping its descriptive nature. The name still connects the modern animal to the winter landscapes it belongs to.

"Totem" comes from the Ojibwe word ototeman, which means "kinship group." It described symbols representing clans and shared roots.

English adopted it to describe carved poles and symbolic elements. Though broader in modern usage, it still hints at the original sense of community, identity, and heritage.

"Coyote" comes from the Nahuatl word coyōtl, which was used by Indigenous tribes of central Mexico. Spanish speakers adopted it, and English borrowed later.

The word kept its meaning, and it remains one of the most direct links between the English language and Nahuatl.

The tasty avocado’s name traces to the Nahuatl word ahacatl, which refers to the fruit and to a body part as well. Spanish speakers transformed it into aguacate.

Later on, English speakers adapted it to avocado. While the name sounds contemporary and culinary, it has ancient Native roots.

The last Nahuatl word and also the last word on the list comes from the term xocolātl, which describes a bitter cacao drink that was consumed long before Europeans arrived in America. The name traveled from Spanish to English.

Though the product changed dramatically, the word survived. Today, chocolate is a universal symbol of sweetness, with rich and deeply indigenous roots.