A what?

11 common objects that are never called by their proper names

While we typically go about life describing the end of our shoelaces as ‘the end of the shoelace’ or the whites of the egg as ‘egg whites’, these things, and many more, have names of their own, even if they are not always widely known or used. Let’s have a look at 11 common things that have proper names, even if no one uses them.

The little plastic or metal tip at the end of shoelaces or drawstrings is there to prevent the fibres from fraying, and to make it easier to pass the lace or drawstring through a hole. Its proper name is ‘aglet’, from the French aguillette, meaning ‘needle’, a reference to its use in helping to thread the string through the hole.

Erasers at the end of wooden pencils are not usually glued together, but they are instead held together by a little metal band. This band is called a ‘ferrule’—from Medieval Latin viriola or ‘little bracelet’—and the term can be used for any metal band that strengthens or fastens a joint, such as those used in handles, to hold brush bristles, or to secure a connection between two cables.

The ‘little plastic table on the pizza’ is quite a long name for something aptly named ‘pizza saver’, but no one seems to really care. It was invented in 1974 by an Argentine pizza maker, who named it SEPI or separador de pizza (‘pizza separator’). In America, it was patented as a ‘package saver’ in 1985, though it was later renamed ‘pizza saver’.

Most mathematical symbols have proper names that are not regularly used, and the division sign is no exception. It was officially introduced into mathematics as a symbol of division in 1659 by the Swiss mathematician Johann Rahn in his influential work Teutsche Algebra. This sign is called an ‘obelus’, from the Greek obelos, meaning ‘sharpened stick’ or ‘skewer’, as it was initially used as a pointer for questionable passages in a text.

Paper cups and their corresponding cardboard sleeves to protect our hands from the heat or the cold are relatively new, but their proper names are not—at least, the name for the cardboard sleeve. This holder is called a ‘zarf’, an Arabic (zuruuf) and Turkish (zarflar) word used for ornamented cup holders, usually made from metal. The materials and the details of the zarf have changed, but the purpose still remains.

Do we need a more technical term than ‘armhole’ for a hole meant for an arm to go through? Maybe not, but the technical term still exists. An ‘armscye’ (pronounced arm-sigh) is the proper term used in sewing and patterns to describe the opening on a garment where the sleeve is attached. The word is a compound of ‘arm’ + scye, a Scots word meaning ‘opening’. So, in the end, ‘armscye’ just means ‘armhole’.

We often use the words ‘railing’ or ‘handrail’ when talking about a staircase, but these terms only describe the top portion of it, not the pillars that support the handrail. The pillars and the rail altogether are called a ‘banister’, a corruption of the word baluster, derived from the Italian balaustro. The term originally was used for the pillars, but eventually came to mean the entire structure.

Not all beverage foams are equal. The foam on top of alcoholic beverages, in particular, is called ‘barm’, a term derived from Old English beorma, meaning ‘yeast’ or ‘leaven’, and it's mainly used for the effervescence of fermented liquors such as beer, ale, or wine.

Did you know that the white (or clear) part of the egg is called the ‘albumen’? The term entered English as a loan from Latin, where _albumen_—from albus, ‘white’—was used in the same way. Though it is not widely used in everyday life, it’s still the correct term for that part of the egg.

As a rule of thumb, you should always assume that all marks, symbols, and strokes in calligraphy have a proper name, even if it's not often used. When it comes to the lowercase letters ‘j’ and ‘i ’, the little dot on top is not a dot, but a ‘tittle’. This name comes from the Latin _titulus_—meaning ‘title’, ‘inscription’, or ‘small mark’—and was initially used by scribes to distinguish these letters in their cramped writing.

If you ever got lost in the mall or the museum, you must have come across a map that marked your location using an arrow or a pointer, usually accompanied by the phrase ‘you are here’. Well, that pointer is called an ‘ideolocator’, a combination of the Greek idea, a ‘mental image, concept, or visual representation’ (in this case, the pointer), and the Latin locatus, meaning ‘to place’ (the specific location on the map). For the sake of convenience, we will keep calling it the ‘you are here’ sign.

Some names stick around

From Table Tap Joe to Ziggy Stardust: Who are the best song characters?

Sometimes, a character is the perfect alter-ego to write a song about oneself without self-referencing so much. Other times, a character is just a character. Over the years, musicians have come up with lonely dreamers, fearless heroes, mysterious strangers, and even supernatural villains who have become just as famous as the songs themselves. Some were inspired by real people, others sprang entirely from imagination, but all of them left a lasting mark on music history. Which of these 12 do you remember?

Tom Waits has always had a soft spot for society's oddballs, and few are even stranger than Table Top Joe. Introduced on the 2002 album Alice, Joe is born with only a head and hands, yet grows into a brilliant piano player whose extraordinary talent earns him fame despite the odds stacked against him.

The song unfolds like a forgotten American folk tale, complete with references to Coney Island's legendary Dreamland amusement park and composer Igor Stravinsky. Although many listeners assume the story is based on an old carnival legend, Table Top Joe is entirely Tom Waits' own creation.

Few fictional musicians have ever become as famous as Ziggy Stardust. Introduced in 1972, Ziggy is an alien rock star sent to Earth shortly before humanity's end, only to be consumed by the very fame that makes him a savior to millions.

David Bowie blurred the line between fiction and reality by performing as Ziggy onstage for more than a year. When he unexpectedly announced Ziggy's retirement during a concert at London's Hammersmith Odeon in 1973, many fans believed the character, and perhaps Bowie himself, had truly reached the end of the story.

Tommy Walker isn't just the hero of a song, he's the central figure of one of rock music's first great operas. After witnessing a traumatic event as a child, Tommy becomes deaf, mute, and blind, yet somehow develops astonishing pinball skills that transform him into an unlikely celebrity.

Pete Townshend built an entire musical world around Tommy, exploring themes of trauma, faith, and redemption. First released in 1969, Tommy later became a hit film, a Broadway production, and one of the most influential concept albums ever recorded.

Johnny B. Goode is every aspiring musician's dream. Growing up in rural Louisiana with little more than a guitar and natural talent, he plays so brilliantly that listeners predict "his name will be in lights."

Chuck Berry based the character partly on himself and partly on pianist Johnnie Johnson. Originally described as a "colored boy," Johnny became a "country boy" in the final lyrics, making the song more likely to receive airplay during the segregation era. Nearly two decades later, Johnny's anthem would even travel into space aboard NASA's Voyager Golden Record.

Few fictional characters have captured loneliness as powerfully as Eleanor Rigby. She quietly moves through life unnoticed, while Father McKenzie delivers sermons that no one hears, creating one of popular music's saddest portraits of isolation.

Paul McCartney later explained that Eleanor's name came from actress Eleanor Bron and the Liverpool shop Rigby & Evens. The discovery of an actual Eleanor Rigby gravestone in Liverpool only deepened the song's mystique, though McCartney maintained the coincidence was unintentional.

Billie Jean may be one of pop music's most famous women, yet Michael Jackson insisted she wasn't a real person. Instead, she represented several women who falsely claimed that he had fathered their children during the height of the Jackson 5's fame.

Released in 1983 as part of Thriller, the song became a global phenomenon. It also provided the stage for Jackson's legendary moonwalk during Motown 25.

Unlike many legendary song characters, Stagger Lee actually existed. His real name was Lee Shelton, a St. Louis criminal who murdered Billy Lyons during an argument over a hat on Christmas Eve in 1895.

The shocking crime quickly entered American folklore through countless folk songs before Lloyd Price transformed it into a chart-topping hit in 1958. More than a century later, Stagger Lee remains one of the most enduring antiheroes in American music.

Tom Dooley was inspired by Thomas Dula, a Confederate veteran executed in North Carolina in 1868 after being convicted of murdering Laura Foster. His surname was locally pronounced "Dooley," giving the ballad its familiar title.

The Kingston Trio revived the old Appalachian folk song in 1958, turning it into an international hit and helping launch America's folk music revival.

When the narrator of "Lola" meets an intriguing stranger in a Soho nightclub, expectations quickly give way to surprise. Ray Davies crafted one of rock's earliest mainstream stories exploring gender ambiguity, decades before the topic entered popular conversation.

The recording rarely reached British radio. Because BBC rules prohibited commercial product names, Davies had to interrupt a U.S. tour and fly back to London simply to replace the lyric "Coca-Cola" with the now-famous "cherry cola."

Unlike most famous song characters, the Piano Man is really Billy Joel himself. Before becoming a superstar, Joel spent six months in 1972 and 1973 performing under the pseudonym Bill Martin at the Executive Room, a piano bar in Los Angeles, after becoming trapped in a bad recording contract. The song transforms those experiences into a bittersweet portrait of ordinary people searching for escape at the end of another week.

Joel has said that virtually every character in the song was based on a real person, from bartender John to "Paul, the real estate novelist" and Davy, who really was in the Navy. Yet the Piano Man himself became the story's most enduring character: a quiet observer who offers music as a brief refuge for dreamers, lonely souls, and regulars alike. More than fifty years after its 1973 release, "Piano Man" remains Billy Joel's signature song, and its title has effectively become his lifelong nickname.

Standing nearly seven feet tall and missing an arm, Amos Moses roams the Louisiana swamps hunting alligators. Jerry Reed filled the song with colorful Southern expressions and exaggerated storytelling that make Amos feel like an authentic folk legend.

Although fictional, Amos embodies the larger-than-life heroes found throughout American tall tales. His adventures turned the song into one of Reed's biggest crossover hits and secured Amos a permanent place among country music's greatest characters.

Big Bad John hardly says a word, but he doesn't have to. The towering coal miner earns everyone's respect through quiet strength before sacrificing his own life to save fellow workers when a mine collapses.

Jimmy Dean's 1961 ballad became a smash hit, winning a Grammy and inspiring several sequel songs. More than sixty years later, Big Bad John still stands as one of country music's defining working-class heroes.