In the shadows

Do you know where “dark horse” and “black sheep” come from?

Image: Jonatan Pie

The idea of "darkness" is used to describe mystery, risk, or even a little mischief. Have you ever noticed how many idioms there are for darkness? And what about where these sayings come from, or why have they stuck around for centuries? Today, we’ll take a tour through some of the darkest idioms tied to this concept, uncovering their roots and what they still mean in everyday life.

Image: Lindsey Bidwell

The phrase "dark horse" first appeared as slang in horse racing, where an unknown competitor could surprise the crowd by winning. Benjamin Disraeli, a British politician and novelist, popularized it in the 1830s. Today, we use it for people who come out of nowhere to impress, whether in politics, sports, or even at a family game night. Are you usually the dark horse?

Image: Paul Garaizar

This saying goes back to the days when darkness symbolized ignorance. To "keep someone in the dark" meant to deprive them of light and knowledge. It has roots in 17th-century English writing, and it stuck because the image is so simple: if you’re kept from the light, you can’t see the whole picture.

Image: Thomas Chan

The idea of something "casting a shadow" goes all the way back to ancient poetry, where shadows represented gloom, doubt, or even bad omens. Shakespeare often used shadow imagery to suggest suspicion or hidden truths. Today, we use this expression to refer to that negative impact, the shadow, that something else may have.

Image: Sasha Freemind

This expression comes from a French board game called "lourche," popular in the 1500s. To be "left in the lurch" meant being stuck in a hopeless position in the game. English speakers borrowed the phrase, and it evolved to describe abandoning someone when they most needed help. Quite gloomy, don’t you think?

Image: Andrew Hughes

For centuries, people believed one half of the moon was always hidden from view. That unseen hemisphere became a perfect metaphor for secrets or unknown territory. Even after space exploration revealed more about the moon, the phrase stuck around as a poetic way to describe the mysterious side of things.

Image: Andrew Neel

This one has an old-fashioned ring to it. In earlier times, saying you didn’t want someone to "darken your door" meant you didn’t even want them standing at your doorway and blocking the light. But today, it means visiting someone, even if that’s unexpected or undesirable for the homeowner. Remember, text before you darken someone’s door!

Image: Yᴏꜱʜ ʜ. Qᴜɪɴᴢᴇʟ

This phrase plays on the simple contrast between safety and danger. The sunny, well-lit side of the street feels safer, while the darker side symbolizes risk and shady dealings. It has been used both literally and metaphorically since the 1800s to refer to the less desirable path.

Image: Sven Mieke

The idea of a "black mark" dates back to the 1600s, when a literal black mark might be written beside someone’s name to show disgrace. Over time, it grew into a figure of speech for any stain on reputation. Even now, one mistake can be called a "black mark" against an otherwise good record. This one you might want to get away from, right?

Image: Jonathan Greenaway

Black sheep are beautiful, but back in farming days, black wool couldn’t be dyed like white wool, making them less valuable to farmers. By the 18th century, the term had wandered into family life to describe the odd member who didn’t fit expectations. Today, being the "black sheep" often carries a mix of humor and pride.

Image: NORTHFOLK

Accountants in the past literally used black ink to record profits and red ink to record losses. To be "in the black" meant your books looked good. Red, on the other hand, meant you were in debt. The phrase has been around since the early 20th century and is still shorthand for financial health, especially for businesses.

Some names stick around

From Table Tap Joe to Ziggy Stardust: Who are the best song characters?

Sometimes, a character is the perfect alter-ego to write a song about oneself without self-referencing so much. Other times, a character is just a character. Over the years, musicians have come up with lonely dreamers, fearless heroes, mysterious strangers, and even supernatural villains who have become just as famous as the songs themselves. Some were inspired by real people, others sprang entirely from imagination, but all of them left a lasting mark on music history. Which of these 12 do you remember?

Tom Waits has always had a soft spot for society's oddballs, and few are even stranger than Table Top Joe. Introduced on the 2002 album Alice, Joe is born with only a head and hands, yet grows into a brilliant piano player whose extraordinary talent earns him fame despite the odds stacked against him.

The song unfolds like a forgotten American folk tale, complete with references to Coney Island's legendary Dreamland amusement park and composer Igor Stravinsky. Although many listeners assume the story is based on an old carnival legend, Table Top Joe is entirely Tom Waits' own creation.

Few fictional musicians have ever become as famous as Ziggy Stardust. Introduced in 1972, Ziggy is an alien rock star sent to Earth shortly before humanity's end, only to be consumed by the very fame that makes him a savior to millions.

David Bowie blurred the line between fiction and reality by performing as Ziggy onstage for more than a year. When he unexpectedly announced Ziggy's retirement during a concert at London's Hammersmith Odeon in 1973, many fans believed the character, and perhaps Bowie himself, had truly reached the end of the story.

Tommy Walker isn't just the hero of a song, he's the central figure of one of rock music's first great operas. After witnessing a traumatic event as a child, Tommy becomes deaf, mute, and blind, yet somehow develops astonishing pinball skills that transform him into an unlikely celebrity.

Pete Townshend built an entire musical world around Tommy, exploring themes of trauma, faith, and redemption. First released in 1969, Tommy later became a hit film, a Broadway production, and one of the most influential concept albums ever recorded.

Johnny B. Goode is every aspiring musician's dream. Growing up in rural Louisiana with little more than a guitar and natural talent, he plays so brilliantly that listeners predict "his name will be in lights."

Chuck Berry based the character partly on himself and partly on pianist Johnnie Johnson. Originally described as a "colored boy," Johnny became a "country boy" in the final lyrics, making the song more likely to receive airplay during the segregation era. Nearly two decades later, Johnny's anthem would even travel into space aboard NASA's Voyager Golden Record.

Few fictional characters have captured loneliness as powerfully as Eleanor Rigby. She quietly moves through life unnoticed, while Father McKenzie delivers sermons that no one hears, creating one of popular music's saddest portraits of isolation.

Paul McCartney later explained that Eleanor's name came from actress Eleanor Bron and the Liverpool shop Rigby & Evens. The discovery of an actual Eleanor Rigby gravestone in Liverpool only deepened the song's mystique, though McCartney maintained the coincidence was unintentional.

Billie Jean may be one of pop music's most famous women, yet Michael Jackson insisted she wasn't a real person. Instead, she represented several women who falsely claimed that he had fathered their children during the height of the Jackson 5's fame.

Released in 1983 as part of Thriller, the song became a global phenomenon. It also provided the stage for Jackson's legendary moonwalk during Motown 25.

Unlike many legendary song characters, Stagger Lee actually existed. His real name was Lee Shelton, a St. Louis criminal who murdered Billy Lyons during an argument over a hat on Christmas Eve in 1895.

The shocking crime quickly entered American folklore through countless folk songs before Lloyd Price transformed it into a chart-topping hit in 1958. More than a century later, Stagger Lee remains one of the most enduring antiheroes in American music.

Tom Dooley was inspired by Thomas Dula, a Confederate veteran executed in North Carolina in 1868 after being convicted of murdering Laura Foster. His surname was locally pronounced "Dooley," giving the ballad its familiar title.

The Kingston Trio revived the old Appalachian folk song in 1958, turning it into an international hit and helping launch America's folk music revival.

When the narrator of "Lola" meets an intriguing stranger in a Soho nightclub, expectations quickly give way to surprise. Ray Davies crafted one of rock's earliest mainstream stories exploring gender ambiguity, decades before the topic entered popular conversation.

The recording rarely reached British radio. Because BBC rules prohibited commercial product names, Davies had to interrupt a U.S. tour and fly back to London simply to replace the lyric "Coca-Cola" with the now-famous "cherry cola."

Unlike most famous song characters, the Piano Man is really Billy Joel himself. Before becoming a superstar, Joel spent six months in 1972 and 1973 performing under the pseudonym Bill Martin at the Executive Room, a piano bar in Los Angeles, after becoming trapped in a bad recording contract. The song transforms those experiences into a bittersweet portrait of ordinary people searching for escape at the end of another week.

Joel has said that virtually every character in the song was based on a real person, from bartender John to "Paul, the real estate novelist" and Davy, who really was in the Navy. Yet the Piano Man himself became the story's most enduring character: a quiet observer who offers music as a brief refuge for dreamers, lonely souls, and regulars alike. More than fifty years after its 1973 release, "Piano Man" remains Billy Joel's signature song, and its title has effectively become his lifelong nickname.

Standing nearly seven feet tall and missing an arm, Amos Moses roams the Louisiana swamps hunting alligators. Jerry Reed filled the song with colorful Southern expressions and exaggerated storytelling that make Amos feel like an authentic folk legend.

Although fictional, Amos embodies the larger-than-life heroes found throughout American tall tales. His adventures turned the song into one of Reed's biggest crossover hits and secured Amos a permanent place among country music's greatest characters.

Big Bad John hardly says a word, but he doesn't have to. The towering coal miner earns everyone's respect through quiet strength before sacrificing his own life to save fellow workers when a mine collapses.

Jimmy Dean's 1961 ballad became a smash hit, winning a Grammy and inspiring several sequel songs. More than sixty years later, Big Bad John still stands as one of country music's defining working-class heroes.