Do we miss them?

These letters were left out of the English alphabet, and here's why

Image: Ksenia Makagonova

Some letters and symbols were once part of the English alphabet or its ancestors. But time and lack of use eventually made them be dropped, replaced, or forgotten. Most of them come from Old English, Middle English, Latin, or early printing traditions, and their stories are full of phonetic shifts, shortcuts, and the drive toward standardization. Let’s look at them!

Image: Andrey Grinkevich

Thorn was used to represent the "th" sound in words like thin or this. It visually resembled a modern P, which often causes confusion when seen in old manuscripts.

Common in Old English, it eventually got phased out during the Middle English period, replaced by the two-letter combination th. Thorn survives today in modern Icelandic, though!

Image: James Barnett

Eth was another letter used to represent the "th" sound, particularly the voiced version. It looked a bit like a crossed D and appeared alongside thorn in Old English texts.

Over time, English speakers settled on using "th" for both the voiced and voiceless sounds, and eth gradually fell out of use. Like thorn, eth still exists in modern Icelandic.

Image: MART PRODUCTION

Wynn was used to represent the "w" sound in Old English—a sound that Latin lacked a letter for. It resembled a capital "P," though it had no connection to that sound.

Instead of writing two "u"s (as in "uu"), scribes used wynn. Over time, however, "uu" evolved into the modern "w," and wynn was phased out during the Middle English period.

Image: Josué AS

Yogh had a rather confusing role. It could represent several sounds: a throaty "gh" like in "night," a "y" as in "yes," or even a soft "g" like in "genre," depending on context and region. It looked like the number 3 and was used heavily in Middle English.

As spelling and pronunciation evolved, these sounds were either lost or spelled differently (gh, y, j, or g).

Image: Bruno Martins

Ash is a fusion of "a" and "e," borrowed from Latin and used in Old English words like æthel (noble). It represented a distinct vowel sound, somewhere between "a" and "e," like the short "a" in cat.

In early English texts, it was treated as a letter in its own right. Over time, as English spelling standardized, ash was replaced by "a" or "e" depending on pronunciation.

Image: Natalia Y.

Think of Ethel as a relative of ash. This ligature combines "o" and "e" and shows up in Latin borrowings like fœtus, œuvre, and œconomy. As spelling was standardized, it got the axe in favor of plain old "oe" or even just "e."

You’ll still spot it in French and in stylized English writing.

Image: Jo Coenen - Studio Dries 2.6

This curious mark, which resembles a 7, means "and." Created by Cicero’s secretary Tiro in ancient Rome, it became a popular shorthand used by monks and scribes throughout the medieval world, including in Old English.

In Ireland, it persisted longer than almost anywhere else, until the more elegant ampersand (&) eventually took its place.

Image: Mark Wieder

Well, we know this one! But as a symbol, not as a letter from the alphabet. Once upon a time, schoolchildren recited it after "Z": X, Y, Z, and "per se and," which eventually morphed into the word "ampersand."

The symbol itself is a ligature of the Latin word et, meaning "and."

Image: Mark Rasmuson

This one looked like a medieval mashup of a "g" and a "z," and was mostly found in Irish and Old English manuscripts.

It served the same purpose as today’s "g." It stuck around until the Carolingian script took over, giving us the more familiar "g" we know today.

Image: Ot van Lieshout

At first glance, the Long S (ſ) looks like a stretched-out "f" missing its crossbar, but it’s an "s" in disguise. This character was used at the start and middle of words (e.g., ſunshine, bleſſing), but never at the end.

The character was ubiquitous in English printing until the late 1700s, when it was gradually replaced by the modern "s."

Image: Aaron Burden

The letter itself sounded like the "ng" at the end of "fang" or "sing."

The letter resembles an "n" with a tail and remains in use today in the International Phonetic Alphabet (IPA) and in languages such as Sami and Māori. However, English spelling never officially adopted it.

Some names stick around

From Table Tap Joe to Ziggy Stardust: Who are the best song characters?

Sometimes, a character is the perfect alter-ego to write a song about oneself without self-referencing so much. Other times, a character is just a character. Over the years, musicians have come up with lonely dreamers, fearless heroes, mysterious strangers, and even supernatural villains who have become just as famous as the songs themselves. Some were inspired by real people, others sprang entirely from imagination, but all of them left a lasting mark on music history. Which of these 12 do you remember?

Tom Waits has always had a soft spot for society's oddballs, and few are even stranger than Table Top Joe. Introduced on the 2002 album Alice, Joe is born with only a head and hands, yet grows into a brilliant piano player whose extraordinary talent earns him fame despite the odds stacked against him.

The song unfolds like a forgotten American folk tale, complete with references to Coney Island's legendary Dreamland amusement park and composer Igor Stravinsky. Although many listeners assume the story is based on an old carnival legend, Table Top Joe is entirely Tom Waits' own creation.

Few fictional musicians have ever become as famous as Ziggy Stardust. Introduced in 1972, Ziggy is an alien rock star sent to Earth shortly before humanity's end, only to be consumed by the very fame that makes him a savior to millions.

David Bowie blurred the line between fiction and reality by performing as Ziggy onstage for more than a year. When he unexpectedly announced Ziggy's retirement during a concert at London's Hammersmith Odeon in 1973, many fans believed the character, and perhaps Bowie himself, had truly reached the end of the story.

Tommy Walker isn't just the hero of a song, he's the central figure of one of rock music's first great operas. After witnessing a traumatic event as a child, Tommy becomes deaf, mute, and blind, yet somehow develops astonishing pinball skills that transform him into an unlikely celebrity.

Pete Townshend built an entire musical world around Tommy, exploring themes of trauma, faith, and redemption. First released in 1969, Tommy later became a hit film, a Broadway production, and one of the most influential concept albums ever recorded.

Johnny B. Goode is every aspiring musician's dream. Growing up in rural Louisiana with little more than a guitar and natural talent, he plays so brilliantly that listeners predict "his name will be in lights."

Chuck Berry based the character partly on himself and partly on pianist Johnnie Johnson. Originally described as a "colored boy," Johnny became a "country boy" in the final lyrics, making the song more likely to receive airplay during the segregation era. Nearly two decades later, Johnny's anthem would even travel into space aboard NASA's Voyager Golden Record.

Few fictional characters have captured loneliness as powerfully as Eleanor Rigby. She quietly moves through life unnoticed, while Father McKenzie delivers sermons that no one hears, creating one of popular music's saddest portraits of isolation.

Paul McCartney later explained that Eleanor's name came from actress Eleanor Bron and the Liverpool shop Rigby & Evens. The discovery of an actual Eleanor Rigby gravestone in Liverpool only deepened the song's mystique, though McCartney maintained the coincidence was unintentional.

Billie Jean may be one of pop music's most famous women, yet Michael Jackson insisted she wasn't a real person. Instead, she represented several women who falsely claimed that he had fathered their children during the height of the Jackson 5's fame.

Released in 1983 as part of Thriller, the song became a global phenomenon. It also provided the stage for Jackson's legendary moonwalk during Motown 25.

Unlike many legendary song characters, Stagger Lee actually existed. His real name was Lee Shelton, a St. Louis criminal who murdered Billy Lyons during an argument over a hat on Christmas Eve in 1895.

The shocking crime quickly entered American folklore through countless folk songs before Lloyd Price transformed it into a chart-topping hit in 1958. More than a century later, Stagger Lee remains one of the most enduring antiheroes in American music.

Tom Dooley was inspired by Thomas Dula, a Confederate veteran executed in North Carolina in 1868 after being convicted of murdering Laura Foster. His surname was locally pronounced "Dooley," giving the ballad its familiar title.

The Kingston Trio revived the old Appalachian folk song in 1958, turning it into an international hit and helping launch America's folk music revival.

When the narrator of "Lola" meets an intriguing stranger in a Soho nightclub, expectations quickly give way to surprise. Ray Davies crafted one of rock's earliest mainstream stories exploring gender ambiguity, decades before the topic entered popular conversation.

The recording rarely reached British radio. Because BBC rules prohibited commercial product names, Davies had to interrupt a U.S. tour and fly back to London simply to replace the lyric "Coca-Cola" with the now-famous "cherry cola."

Unlike most famous song characters, the Piano Man is really Billy Joel himself. Before becoming a superstar, Joel spent six months in 1972 and 1973 performing under the pseudonym Bill Martin at the Executive Room, a piano bar in Los Angeles, after becoming trapped in a bad recording contract. The song transforms those experiences into a bittersweet portrait of ordinary people searching for escape at the end of another week.

Joel has said that virtually every character in the song was based on a real person, from bartender John to "Paul, the real estate novelist" and Davy, who really was in the Navy. Yet the Piano Man himself became the story's most enduring character: a quiet observer who offers music as a brief refuge for dreamers, lonely souls, and regulars alike. More than fifty years after its 1973 release, "Piano Man" remains Billy Joel's signature song, and its title has effectively become his lifelong nickname.

Standing nearly seven feet tall and missing an arm, Amos Moses roams the Louisiana swamps hunting alligators. Jerry Reed filled the song with colorful Southern expressions and exaggerated storytelling that make Amos feel like an authentic folk legend.

Although fictional, Amos embodies the larger-than-life heroes found throughout American tall tales. His adventures turned the song into one of Reed's biggest crossover hits and secured Amos a permanent place among country music's greatest characters.

Big Bad John hardly says a word, but he doesn't have to. The towering coal miner earns everyone's respect through quiet strength before sacrificing his own life to save fellow workers when a mine collapses.

Jimmy Dean's 1961 ballad became a smash hit, winning a Grammy and inspiring several sequel songs. More than sixty years later, Big Bad John still stands as one of country music's defining working-class heroes.