What is a Twix, anyway?

Is the Snickers bar named after an animal? 12 candy names explained

Image: Denny Müller

If you have never seen a Reese’s Peanut Butter Cup or an Almond Joy but only read the name, chances are that you would be able to form an idea of the product. But this is not always the case with candies and candy bars. Many of these delicious treats have names that do not seem to have any logical connection with their contents. But they do have it. Take a look at the following 12 famous examples. Did you know about any of these?

Image: Shyam Mishra

The Snickers bar, introduced by the Mars, Inc. company in 1930, was named after the Mars family's favorite horse. Snickers lived on their farm and was dearly loved.

Sadly, the horse passed away shortly before the candy bar's release, so naming the bar after him served as a tribute to their cherished companion.

Image: Justin

The name Kit Kat traces back to the 18th-century Kit-Cat Club in London, which itself was named after Christopher Catling, a pastry chef nicknamed "Kit Cat."

Rowntree's, the company that launched the bar in the 1930s, chose the name to give it a touch of history and sophistication.

Image: Irfan Zaini

M&M’s stands for Mars and Murrie, the last names of the candy’s creators. Forrest Mars of the Mars Company teamed up with Bruce Murrie, son of Hershey’s president, and the delicious, colorful candies were born.

Image: Alexander Schimmeck

Starburst got its name to reflect the candy’s bold, fruity flavors, like a burst of flavor in every bite.

Originally launched in the UK in 1960 as Opal Fruits, it was renamed Starburst for the U.S. release in 1967, likely to create a more dynamic, space-age image during the height of the space race.

Image: Steffen Rehfuß

Sour Patch Kids were originally called Mars Men when they debuted in the 1970s, playing off the era’s fascination with space.

When introduced in the U.S. in 1985, the name changed to Sour Patch Kids to tap into the Cabbage Patch Kids craze. The new name also highlights the candy’s signature sour-then-sweet taste.

Image: Cemrecan Yurtman

The 3 Musketeers bar got its name in 1932 from its original trio of flavors: chocolate, strawberry, and vanilla. Each bar came in three separate pieces, echoing the "three" theme.

The name also nodded to the popular novel The Three Musketeers. During World War II, rising costs of sugar and fruit led to the discontinuation of strawberry and vanilla, leaving only chocolate—the version we still enjoy today.

Image: Alan Pope

The Milky Way bar was named after a popular malted milk drink from the 1920s, not the galaxy.

The name was meant to suggest a creamy, rich flavor, echoing the appeal of the drink that inspired it.

Image: Jonathan J. Castellon

Skittles were named after the old European game of skittles, similar to bowling. The candy's round shape was the connection with the original game.

First produced in the UK in 1974 by a British distributor for Mars, Inc., the name was likely chosen to convey fun and flavor variety.

Image: Erik Mclean

The PayDay bar got its name because it was first made on—yes, you guessed it—a payday at the Hollywood Candy Company. The timing inspired the name, which stuck.

Introduced in 1932 during the Great Depression, it was marketed as an affordable, energy-packed snack. With its combination of peanuts and caramel, it offered real substance, which can be a metaphor for a little "payday" in candy form.

Image: Louis Hansel

Anyone would be forgiven for thinking that the Baby Ruth bar was named after baseball legend Babe Ruth—but that’s not the case. The candy does indeed sound like it could honor the sports icon, but the Curtiss Candy Company claimed otherwise.

They stated that it was named after Ruth Cleveland, the daughter of President Grover Cleveland.

Image: NATasha Nguyen

The 100 Grand bar was originally called the $100,000 Bar, inspired by quiz shows with big prizes, such as The $64,000 Question.

In the mid-1980s, Nestlé renamed it 100 Grand, likely to ease trademark issues and generate a greater appeal by simplifying the name.

Image: Petr Magera

The name Twix is a blend of the words "twin" and "sticks," referring to its two chocolate-covered biscuit bars. It was first released in the UK in 1967 under the name Raider.

When introduced in the U.S. in 1979, the bar was renamed Twix. The twin-bar design later inspired the playful "Left vs. Right Twix" advertising campaign.

Some names stick around

From Table Tap Joe to Ziggy Stardust: Who are the best song characters?

Sometimes, a character is the perfect alter-ego to write a song about oneself without self-referencing so much. Other times, a character is just a character. Over the years, musicians have come up with lonely dreamers, fearless heroes, mysterious strangers, and even supernatural villains who have become just as famous as the songs themselves. Some were inspired by real people, others sprang entirely from imagination, but all of them left a lasting mark on music history. Which of these 12 do you remember?

Tom Waits has always had a soft spot for society's oddballs, and few are even stranger than Table Top Joe. Introduced on the 2002 album Alice, Joe is born with only a head and hands, yet grows into a brilliant piano player whose extraordinary talent earns him fame despite the odds stacked against him.

The song unfolds like a forgotten American folk tale, complete with references to Coney Island's legendary Dreamland amusement park and composer Igor Stravinsky. Although many listeners assume the story is based on an old carnival legend, Table Top Joe is entirely Tom Waits' own creation.

Few fictional musicians have ever become as famous as Ziggy Stardust. Introduced in 1972, Ziggy is an alien rock star sent to Earth shortly before humanity's end, only to be consumed by the very fame that makes him a savior to millions.

David Bowie blurred the line between fiction and reality by performing as Ziggy onstage for more than a year. When he unexpectedly announced Ziggy's retirement during a concert at London's Hammersmith Odeon in 1973, many fans believed the character, and perhaps Bowie himself, had truly reached the end of the story.

Tommy Walker isn't just the hero of a song, he's the central figure of one of rock music's first great operas. After witnessing a traumatic event as a child, Tommy becomes deaf, mute, and blind, yet somehow develops astonishing pinball skills that transform him into an unlikely celebrity.

Pete Townshend built an entire musical world around Tommy, exploring themes of trauma, faith, and redemption. First released in 1969, Tommy later became a hit film, a Broadway production, and one of the most influential concept albums ever recorded.

Johnny B. Goode is every aspiring musician's dream. Growing up in rural Louisiana with little more than a guitar and natural talent, he plays so brilliantly that listeners predict "his name will be in lights."

Chuck Berry based the character partly on himself and partly on pianist Johnnie Johnson. Originally described as a "colored boy," Johnny became a "country boy" in the final lyrics, making the song more likely to receive airplay during the segregation era. Nearly two decades later, Johnny's anthem would even travel into space aboard NASA's Voyager Golden Record.

Few fictional characters have captured loneliness as powerfully as Eleanor Rigby. She quietly moves through life unnoticed, while Father McKenzie delivers sermons that no one hears, creating one of popular music's saddest portraits of isolation.

Paul McCartney later explained that Eleanor's name came from actress Eleanor Bron and the Liverpool shop Rigby & Evens. The discovery of an actual Eleanor Rigby gravestone in Liverpool only deepened the song's mystique, though McCartney maintained the coincidence was unintentional.

Billie Jean may be one of pop music's most famous women, yet Michael Jackson insisted she wasn't a real person. Instead, she represented several women who falsely claimed that he had fathered their children during the height of the Jackson 5's fame.

Released in 1983 as part of Thriller, the song became a global phenomenon. It also provided the stage for Jackson's legendary moonwalk during Motown 25.

Unlike many legendary song characters, Stagger Lee actually existed. His real name was Lee Shelton, a St. Louis criminal who murdered Billy Lyons during an argument over a hat on Christmas Eve in 1895.

The shocking crime quickly entered American folklore through countless folk songs before Lloyd Price transformed it into a chart-topping hit in 1958. More than a century later, Stagger Lee remains one of the most enduring antiheroes in American music.

Tom Dooley was inspired by Thomas Dula, a Confederate veteran executed in North Carolina in 1868 after being convicted of murdering Laura Foster. His surname was locally pronounced "Dooley," giving the ballad its familiar title.

The Kingston Trio revived the old Appalachian folk song in 1958, turning it into an international hit and helping launch America's folk music revival.

When the narrator of "Lola" meets an intriguing stranger in a Soho nightclub, expectations quickly give way to surprise. Ray Davies crafted one of rock's earliest mainstream stories exploring gender ambiguity, decades before the topic entered popular conversation.

The recording rarely reached British radio. Because BBC rules prohibited commercial product names, Davies had to interrupt a U.S. tour and fly back to London simply to replace the lyric "Coca-Cola" with the now-famous "cherry cola."

Unlike most famous song characters, the Piano Man is really Billy Joel himself. Before becoming a superstar, Joel spent six months in 1972 and 1973 performing under the pseudonym Bill Martin at the Executive Room, a piano bar in Los Angeles, after becoming trapped in a bad recording contract. The song transforms those experiences into a bittersweet portrait of ordinary people searching for escape at the end of another week.

Joel has said that virtually every character in the song was based on a real person, from bartender John to "Paul, the real estate novelist" and Davy, who really was in the Navy. Yet the Piano Man himself became the story's most enduring character: a quiet observer who offers music as a brief refuge for dreamers, lonely souls, and regulars alike. More than fifty years after its 1973 release, "Piano Man" remains Billy Joel's signature song, and its title has effectively become his lifelong nickname.

Standing nearly seven feet tall and missing an arm, Amos Moses roams the Louisiana swamps hunting alligators. Jerry Reed filled the song with colorful Southern expressions and exaggerated storytelling that make Amos feel like an authentic folk legend.

Although fictional, Amos embodies the larger-than-life heroes found throughout American tall tales. His adventures turned the song into one of Reed's biggest crossover hits and secured Amos a permanent place among country music's greatest characters.

Big Bad John hardly says a word, but he doesn't have to. The towering coal miner earns everyone's respect through quiet strength before sacrificing his own life to save fellow workers when a mine collapses.

Jimmy Dean's 1961 ballad became a smash hit, winning a Grammy and inspiring several sequel songs. More than sixty years later, Big Bad John still stands as one of country music's defining working-class heroes.