Time is of the essence

Shorter words are becoming the norm: These 12 terms used to be longer

Image: Markus Winkler

Blame it on the faster pace of modern life, practicality, or whatever else you can think of, but the tendency to optimize time has seeped into our everyday lives and even into our language. Many formal words have been trimmed into shorter versions of themselves, often starting as slang and then becoming standard speech. Did you ever use any of the following words in their longer form?

Image: Jonathan Borba

In the nineteenth century, public coaches were called omnibuses, a Latin term suggesting transport "for all." Passengers soon favored the shorter, quicker "bus" in daily talk.

The shortened word spread rapidly across cities and timetables. Today, omnibus survives mainly in legal texts or historical descriptions.

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During early epidemics, newspapers shortened influenza to "flu" for speed and space, helping the clipped form spread rapidly.

Today, flu is the everyday name for the illness, while influenza persists in medical and scientific writing. Both remain correct, but only one feels familiar.

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The French-derived brassiere was common in early 20th-century catalogs, but shoppers quickly favored the brisk, modern "bra."

After mid-century marketing shifts, the clipped form became universal. Today, brassiere sounds dated outside historical writing.

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We might think otherwise today, but a facsimile transmission was once cutting-edge technology. Soon enough, office workers favored the short, punchy "fax."

As machines spread, the clipped form took over press releases and everyday conversation alike. The original term is now largely historical.

Image: Daniel Guerra

Early films were described as moving pictures, but audiences soon began calling them "movies" because, well, it was shorter and catchier.

Hollywood’s rise helped seal the popularity of the shorter form. Today, the longer phrase survives mainly in historical analysis or nostalgic usage.

Image: Waldemar Brandt

Passengers on city streets once hired a taximeter cab, later shortened to taxicab, but everyday speech eventually clipped it to the more convenient and expeditious "taxi."

The shorter word spread globally, becoming the universal name for hired cars. The long form persists mainly in regulations.

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Originally coined as weblog, a portmanteau of web and log, the term was later jokingly split as we blog, inspiring the now-standard "blog."

The clipped form quickly overtook its parent. Today, it refers both to the site and to the act of publishing online posts.

Image: Eugene Chystiakov

Retailers once promoted hooded sweatshirts, but youth culture shortened the name to "hoodie," giving it a modern identity.

The clipped form became mainstream across fashion and sportswear. The longer phrase now appears mainly in catalogs or formal product descriptions.

Image: Manny Becerra

The elegant Italian word violoncello entered English intact before musicians clipped it to the smoother, more practical "cello."

The shortened form became the everyday name of the instrument. The longer term survives mostly in formal scores, academic contexts, and archival writing.

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The original pianoforte highlighted the instrument’s ability to play softly and loudly, but speakers quickly favored the simpler and more universal "piano."

As the instrument spread through homes and concert halls, the shorter term dominated. Pianoforte remains in scholarly texts and classical sheet music.

Image: Nguyen Dang Hoang Nhu

The Latin-derived word dormitory described shared student housing, but campus life quickly adopted the brisker, more casual "dorm."

The clipped form feels friendly and familiar, reflecting college culture. The full term appears mainly in brochures and official policies.

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In the nineteenth century, men wore pantaloons, a somewhat funny term that later evolved into "pants" as fashion and language changed.

The shorter form became the everyday American generic term for trousers. Pantaloons now survives almost exclusively in costume history, literature, and theater.

Some names stick around

From Table Tap Joe to Ziggy Stardust: Who are the best song characters?

Sometimes, a character is the perfect alter-ego to write a song about oneself without self-referencing so much. Other times, a character is just a character. Over the years, musicians have come up with lonely dreamers, fearless heroes, mysterious strangers, and even supernatural villains who have become just as famous as the songs themselves. Some were inspired by real people, others sprang entirely from imagination, but all of them left a lasting mark on music history. Which of these 12 do you remember?

Tom Waits has always had a soft spot for society's oddballs, and few are even stranger than Table Top Joe. Introduced on the 2002 album Alice, Joe is born with only a head and hands, yet grows into a brilliant piano player whose extraordinary talent earns him fame despite the odds stacked against him.

The song unfolds like a forgotten American folk tale, complete with references to Coney Island's legendary Dreamland amusement park and composer Igor Stravinsky. Although many listeners assume the story is based on an old carnival legend, Table Top Joe is entirely Tom Waits' own creation.

Few fictional musicians have ever become as famous as Ziggy Stardust. Introduced in 1972, Ziggy is an alien rock star sent to Earth shortly before humanity's end, only to be consumed by the very fame that makes him a savior to millions.

David Bowie blurred the line between fiction and reality by performing as Ziggy onstage for more than a year. When he unexpectedly announced Ziggy's retirement during a concert at London's Hammersmith Odeon in 1973, many fans believed the character, and perhaps Bowie himself, had truly reached the end of the story.

Tommy Walker isn't just the hero of a song, he's the central figure of one of rock music's first great operas. After witnessing a traumatic event as a child, Tommy becomes deaf, mute, and blind, yet somehow develops astonishing pinball skills that transform him into an unlikely celebrity.

Pete Townshend built an entire musical world around Tommy, exploring themes of trauma, faith, and redemption. First released in 1969, Tommy later became a hit film, a Broadway production, and one of the most influential concept albums ever recorded.

Johnny B. Goode is every aspiring musician's dream. Growing up in rural Louisiana with little more than a guitar and natural talent, he plays so brilliantly that listeners predict "his name will be in lights."

Chuck Berry based the character partly on himself and partly on pianist Johnnie Johnson. Originally described as a "colored boy," Johnny became a "country boy" in the final lyrics, making the song more likely to receive airplay during the segregation era. Nearly two decades later, Johnny's anthem would even travel into space aboard NASA's Voyager Golden Record.

Few fictional characters have captured loneliness as powerfully as Eleanor Rigby. She quietly moves through life unnoticed, while Father McKenzie delivers sermons that no one hears, creating one of popular music's saddest portraits of isolation.

Paul McCartney later explained that Eleanor's name came from actress Eleanor Bron and the Liverpool shop Rigby & Evens. The discovery of an actual Eleanor Rigby gravestone in Liverpool only deepened the song's mystique, though McCartney maintained the coincidence was unintentional.

Billie Jean may be one of pop music's most famous women, yet Michael Jackson insisted she wasn't a real person. Instead, she represented several women who falsely claimed that he had fathered their children during the height of the Jackson 5's fame.

Released in 1983 as part of Thriller, the song became a global phenomenon. It also provided the stage for Jackson's legendary moonwalk during Motown 25.

Unlike many legendary song characters, Stagger Lee actually existed. His real name was Lee Shelton, a St. Louis criminal who murdered Billy Lyons during an argument over a hat on Christmas Eve in 1895.

The shocking crime quickly entered American folklore through countless folk songs before Lloyd Price transformed it into a chart-topping hit in 1958. More than a century later, Stagger Lee remains one of the most enduring antiheroes in American music.

Tom Dooley was inspired by Thomas Dula, a Confederate veteran executed in North Carolina in 1868 after being convicted of murdering Laura Foster. His surname was locally pronounced "Dooley," giving the ballad its familiar title.

The Kingston Trio revived the old Appalachian folk song in 1958, turning it into an international hit and helping launch America's folk music revival.

When the narrator of "Lola" meets an intriguing stranger in a Soho nightclub, expectations quickly give way to surprise. Ray Davies crafted one of rock's earliest mainstream stories exploring gender ambiguity, decades before the topic entered popular conversation.

The recording rarely reached British radio. Because BBC rules prohibited commercial product names, Davies had to interrupt a U.S. tour and fly back to London simply to replace the lyric "Coca-Cola" with the now-famous "cherry cola."

Unlike most famous song characters, the Piano Man is really Billy Joel himself. Before becoming a superstar, Joel spent six months in 1972 and 1973 performing under the pseudonym Bill Martin at the Executive Room, a piano bar in Los Angeles, after becoming trapped in a bad recording contract. The song transforms those experiences into a bittersweet portrait of ordinary people searching for escape at the end of another week.

Joel has said that virtually every character in the song was based on a real person, from bartender John to "Paul, the real estate novelist" and Davy, who really was in the Navy. Yet the Piano Man himself became the story's most enduring character: a quiet observer who offers music as a brief refuge for dreamers, lonely souls, and regulars alike. More than fifty years after its 1973 release, "Piano Man" remains Billy Joel's signature song, and its title has effectively become his lifelong nickname.

Standing nearly seven feet tall and missing an arm, Amos Moses roams the Louisiana swamps hunting alligators. Jerry Reed filled the song with colorful Southern expressions and exaggerated storytelling that make Amos feel like an authentic folk legend.

Although fictional, Amos embodies the larger-than-life heroes found throughout American tall tales. His adventures turned the song into one of Reed's biggest crossover hits and secured Amos a permanent place among country music's greatest characters.

Big Bad John hardly says a word, but he doesn't have to. The towering coal miner earns everyone's respect through quiet strength before sacrificing his own life to save fellow workers when a mine collapses.

Jimmy Dean's 1961 ballad became a smash hit, winning a Grammy and inspiring several sequel songs. More than sixty years later, Big Bad John still stands as one of country music's defining working-class heroes.