Fun language quirks

English is not normal: 10 incredible eccentricities of our language

Did you know English is one of the few languages where the first-person singular pronoun "I" is always capitalized? Or that it contains words that can mean two completely opposite things? Even something as simple as the days of the week reveals a difference: in many other languages, they are always written in lowercase. English is one of the most widely spoken languages in the world, but that doesn’t mean it is easy to explain. In fact, some of its strangest features might surprise even native speakers. From unusual grammar rules to words with surprising pasts, English is filled with quirks that make it unlike any other language. Here are 10 fascinating things that make English unique.

If you’ve ever talked with someone learning English, you’ve probably heard the same question: How can words like "cough," "dough," and "through" all be spelled almost the same but sound completely different? It’s a fair question, and one that even native speakers sometimes struggle to answer.

English is unusual because the same group of letters can be pronounced in several completely different ways. Few spellings illustrate that better than the ending "-ough." Depending on the word, it can be pronounced nine different ways. Linguists even have a famous mnemonic to demonstrate the chaos: "A rough-coated (uff), dough-faced (oh), thoughtful (aw) ploughman (ow) strode through (oo) the streets of Scarborough (uh); after falling into a lough (ock), he coughed (off) and hiccoughed (up)." No wonder English spelling has a reputation for keeping learners on their toes.

Fortunately, there is an explanation for those discrepancies between pronunciation and spelling in English.

Unlike Spanish or Italian, where words are usually spelled the way they sound, English is full of surprises. Through, threw, and thorough all sound different despite looking similar, while words like knife, debt, and receipt contain silent letters. That’s because English borrowed vocabulary from many different languages, and when the printing press helped standardize spelling in the late 1400s, pronunciation was still changing. The Great Vowel Shift (which occurred primarily between the 15th and 17th centuries) transformed the way many words were spoken, but their spellings largely stayed the same. The result is a language where spelling often has to be memorized rather than guessed, making spelling bees a uniquely English challenge.

You may have noticed people using "they" to refer to a single person and assumed it was a modern invention. Surprisingly, it’s anything but new.

The singular "they" has been part of English for more than 600 years. It appears as early as the 14th century in William and the Werewolf, an anonymous Middle English poem from around 1350, and was later used naturally by some of the greatest writers in the language, including Geoffrey Chaucer, William Shakespeare, and Jane Austen. In fact, Austen used the singular "they" dozens of times in Pride and Prejudice (1813), writing lines such as, "I would have everybody marry if they can do it properly." The controversy came much later. During the 18th and 19th centuries, grammarians who wanted English to follow the rules of Latin argued that writers should use the generic "he" instead. But everyday speakers never completely abandoned the singular "they," which is why it has survived for centuries and remains part of modern English today.

Many English words have more than one meaning. But two words stand in a league of their own, with so many definitions that they hold a record in the dictionary.

According to the Oxford English Dictionary, the word "set" has one of the longest entries, spanning more than 20 pages and containing over 430 distinct senses. Depending on the context, it can be a verb (to set a book on a table), a noun (a chess set or a television set), or an adjective (the plans are set). And as if that weren’t enough, another everyday word is giving it competition. Recent linguistic research suggests that "run" may now have more than 640 distinct meanings and uses, making it one of the most versatile words in the English language. No wonder even native speakers sometimes have to rely on context to figure out exactly what someone means.

Have you ever noticed that some English words seem to contradict themselves? A single word can sometimes mean two opposite things, depending on the context.

Take "dust," which can mean either to remove dust or to sprinkle something with dust. "Cleave" can mean to hold together or to split apart. "Overlook" can mean to watch over something or to fail to notice it. And "sanction" can mean both to approve an action and to impose a penalty for it. These unusual words are called contronyms, terms that have two opposing meanings that somehow coexist in the same word. While other languages have them too, such as the French hôte ("host" or "guest") and the German aufheben ("to preserve" or "to abolish"), English is especially rich in these linguistic contradictions.

What if we told you that English has no future? It sounds a bit dramatic, but from a grammar viewpoint, it’s actually true.

Unlike languages such as Spanish or French, English has no separate future verb tense. Instead of changing the verb itself, English builds the future with helper words like "will," "shall," or "going to." In other words, English verbs only change with the present and past tenses. We say "walk," "walking," and "walked," but for the future we simply add a helper: "will walk." Many other languages work differently. In Spanish, for example, the verb itself changes in all three time frames: camino (I walk), caminé (I walked), and caminaré (I will walk).

Every time you write about yourself, you follow one of English’s most unusual rules: the first-person singular pronoun "I" is always capitalized.

It feels completely natural to us, but it is surprisingly rare among the world’s major languages. Spanish uses yo, French uses je, Italian says io, Portuguese uses eu, and Dutch says ik, all written in lowercase (unless, of course, they start a sentence). English stands out as the only major language that always gives its first-person pronoun a capital letter, and the reason is more practical than symbolic. In medieval handwritten texts, the single letter "i" was easy to miss among surrounding words. To make it easier to read, scribes gradually began writing it larger, and by the late 15th century, the capital "I" had become the standard form we still use today.

"Sit down," "give up," "look into," "take off," "make up," and "run out of" are expressions English speakers use every day naturally. But for people learning the language, it can feel like a never-ending challenge.

That’s because phrasal verbs rarely follow a predictable pattern. The same verb can take on dozens of completely different meanings just by adding a small word like up, out, on, or off. Other languages have similar constructions. German, for example, has separable verbs such as ankommen ("to arrive"), which literally combines an ("at") and kommen ("to come"). In a sentence, the particle separates and moves to the end: Ich komme morgen an ("I arrive tomorrow"). But while many languages use verb-particle combinations, English stands out for having hundreds of phrasal verbs, making them one of the defining features of everyday conversation and one of the biggest troubles for learners.

If you’ve ever written in another language, you’ve probably noticed something that feels almost wrong at first: the words for Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, and Sunday lose their capital letters.

In most of the world’s major languages, the days of the week are written like ordinary nouns, with lowercase letters unless they begin a sentence. But English is one of the very few exceptions. We capitalize all seven days every time we write them, and this is surprisingly rare worldwide. In standard German, the days are capitalized too, but only because all nouns are. In English, however, the days are classified as proper nouns (like Tom or New York) rather than common nouns (like house or pencil). That grammatical distinction is why they always begin with a capital letter.

Believe it or not, some of the most common words in English are complete mysteries. We use them every day, but no one knows where they came from.

Most English words can be traced back through older languages, but a handful have no clear ancestry at all. Historical linguists consider them native English words with unknown origins because they have no identifiable roots and no obvious relatives. One example is the word "dog": for centuries, the common Germanic word for a canine was "hound." Then, sometime in the late Old English period, "dog" suddenly appeared and eventually replaced it. "Boy" first showed up in the 13th century as boie, originally meaning a servant, rogue, or rascal, but its origin remains a mystery. The same is true for "bad," which appeared in Middle English in the late 1200s and gradually displaced older words such as "evil," despite having no known linguistic roots.

Secrets in plain view

The untold stories behind 15 of the world’s most famous artworks

Art is often more than just visually stunning; it can carry deep, hidden meanings and symbols that offer a richer experience when understood. From elements that tell part of the artwork’s story to deliberate messages and strange secrets, here are 15 famous artworks with hidden layers you might not have noticed before.

Though the Mona Lisa is perhaps the most famous painting in the world, the identity of the woman in the portrait has long been a subject of debate. Most scholars believe she is Lisa Gherardini, a Florentine woman married to a wealthy merchant, Francesco del Giocondo. However, numerous alternative ideas have emerged, including theories that the subject is an idealized figure or even a concealed self-portrait of Da Vinci.

Rodin’s famous sculpture, The Thinker, was originally conceived as part of a larger work but became iconic in its own right. Despite its fame, many curious facts about the sculpture are often overlooked. For example, its original name was actually The Poet, which supports the theory that the statue was meant to depict Dante.

Botticelli’s The Birth of Venus blends classical mythology with Renaissance ideals of beauty. Venus, standing on a shell, symbolizes divine beauty and spiritual rebirth. Curiously, some believe it was modeled after the long-lost Venus Anadyomene, a painting by the ancient Greek artist Apelles, known only through Roman author Pliny the Elder’s description.

Munch’s The Scream captures a moment of extreme emotional distress. The swirling sky, vivid in color, reflects the inner turmoil of the subject. While Munch claimed the inspiration came from a panic attack he experienced while walking, some argue that the red skies may have been inspired by the eruption of Krakatoa in 1883, which caused vivid sunsets around the world.

In Raphael’s The School of Athens, ancient philosophers are depicted in conversation, but the placement of the figures is deliberate. Plato and Aristotle are centrally placed, with Plato pointing upwards, symbolizing his belief in ideal forms, while Aristotle’s gesture points horizontally, emphasizing his empirical approach.

The Statue of Liberty is not just a symbol of freedom; its design includes several symbolic elements. The broken chain at her feet represents the abolition of slavery, while the torch symbolizes enlightenment. But most curiously, Lady Liberty's face is said to have been modeled after the artist Frederic-Auguste Bartholdi's mother.

Da Vinci’s Last Supper holds numerous symbols, most notably the geometric composition. The table itself forms a triangle, symbolizing the Holy Trinity, while Christ’s position in the center divides the composition into a perfect balance of divine and human. Even the placement of Judas, isolated from the others on the opposite side of Christ, visually hints at his betrayal.

Grant Wood’s iconic American Gothic has often been interpreted as a commentary on rural American values, but there are more layers to the painting. In fact, it was inspired by a real house built in the style of "Carpenter Gothic," which Wood found rather pretentious for such a humble home. The characters, however, aren’t the real inhabitants of the house but Wood’s dentist and his sister.

The Venus de Milo represents idealized beauty in ancient Greek sculpture, but its missing arms add to its mystery. The lost limbs have sparked theories about its original pose, enhancing the statue's allure. Interestingly, some suggest the figure may not depict Aphrodite/Venus at all, but Amphitrite, the sea goddess worshiped on the island of Milos.

A master of visual storytelling, Rembrandt was well known for including hidden messages and symbolism. In his masterpiece The Night Watch, some believe the artist makes a subtle cameo. In the middle of the painting, behind a man in green and a guard with a metal helm, you can spot a faint figure, widely thought to be Rembrandt himself.

Leonardo’s Vitruvian Man is not just a study of human anatomy; it symbolizes the Renaissance belief in the harmony between art and science. But beyond the perfect proportions, keen observers have noted that the man depicted appears to suffer from an inguinal hernia—an ailment that could have been fatal at the time. Given that artists often used cadavers as models, it's likely that Leonardo based the figure on a real, deceased individual.

Klimt’s The Kiss is renowned for its use of gold leaf, evoking the sacred beauty of religious art found in churches. Some art historians even speculate that the lovers in the painting are not just symbolic figures, but a representation of Klimt himself and his long-time partner, fashion designer Emilie Flöge.

Delacroix’s Liberty Leading the People uses the allegorical figure of Liberty to symbolize the spirit of revolution during France's July Revolution of 1830. However, the woman in the painting has a name—_Marianne_—a powerful symbol of the French Republic ever since the first French Revolution of 1789.

Van Gogh's Self-Portrait with Bandaged Ear captures a deeply personal moment following the infamous incident in which he—allegedly—severed his own ear. However, some art historians now believe that the wound was in fact the product of an altercation with friend and fellow artist Paul Gauguin. A deft fencer, Gauguin might have acted in self-defense during a violent bout of psychosis of his friend.

Michelangelo’s David symbolizes strength and humanism, embodying both intellectual and physical power. While its proportions follow classical ideals, David’s unusually large head and oversized right hand stand out. Additionally, his heart-shaped pupils are a curious detail, possibly symbolizing his love for Florence or a playful nod to the letter "D," often depicted as a heart in Renaissance art.