Who knew?

Was the sinking of the Titanic foretold? Writers who predicted the future

Image: Michael Dziedzic

Do modern inventions ever remind you of things you’ve read in old books? Do you ever find yourself pointing and saying, "Just like The Jetsons!" or "The Simpsons predicted this!"? Sometimes, real life ends up imitating art, even centuries later. Let’s explore 11 cases where writers anticipated the future, ranging from logical to downright eerie.

Image: K. Mitch Hodge

Did you know that a novel from 1898 predicted the Titanic disaster with an eerie degree of precision? Fourteen years before the real event, there was... the Titan.

Morgan Robertson published Futility, later retitled The Wreck of the Titan. It told the story of a massive British ocean liner called the Titan, described as unsinkable. The ship struck an iceberg in the North Atlantic, carried too few lifeboats, and sank in April, all details that mirror the Titanic tragedy.

Image: Arthur Lambillotte

Isaac Asimov imagined the iPad, more or less, back in 1964. In an essay for The New York Times, the sci-fi legend described what life might look like in 2014. Among his predictions was that people would use a "compact screen" to read books, watch videos, and communicate with others, all without ever leaving their homes.

Asimov essentially foresaw smart electronic tablets and even hinted at remote work and distance learning decades before they became reality.

Image: Steve DiMatteo

In a 1998 episode of The Simpsons ("When You Dish Upon a Star"), Homer crashes into a Hollywood meeting and we briefly see a sign that reads: "20th Century Fox — a division of Walt Disney Co."

At the time, this was a playful nod to Disney’s ever-growing empire. But in 2019, it became real: Disney acquired 21st Century Fox for $71.3 billion.

Image: SpaceX

In his 1865 novel From the Earth to the Moon, Jules Verne got more than one detail right, including which U.S. state would one day launch spaceships.

Verne imagined a three-man crew in a projectile fired from Florida (near modern-day Cape Canaveral) that splashed down in the Pacific Ocean. Yes, just like Apollo 11, more than a hundred years later. That’s a remarkably accurate prediction for a piece of fiction written during the Civil War era!

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Do you remember seeing people communicate through large flat screens in The Jetsons and laughing at it as an exaggerated gag about the future? Well, who’s laughing now?

In Hanna-Barbera’s 1962 show, the characters used "televiewers" to chat across long distances, surprisingly similar to how we use Zoom or FaceTime today. Other works, like E.M. Forster’s The Machine Stops (1909), had predicted remote video communication even earlier, but The Jetsons cemented the concept visually in pop culture.

Image: bady abbas

IVF was predicted as far back as 1924, 54 years before the first "test-tube baby" was born.

British biologist J.B.S. Haldane imagined a world of artificial reproduction. In his essay Daedalus; or, Science and the Future, he coined the term "ectogenesis" to describe babies being grown outside the womb.

Image: Emiliano Vittoriosi

In Steel Beach (1992), sci-fi author John Varley envisioned a future where artificial intelligence provided therapy. In his story, the Central Computer actively counsels people, offers psychological evaluations, and responds to emotional needs.

At a time when AI was still seen as a cold, mechanical concept, Varley’s story offered a surprisingly human twist. Today, studies show that many people using AI chatbots turn to them for emotional support and counseling.

Image: Possessed Photography

The word "robot" entered the English language in 1920 through a Czech play titled R.U.R. (Rossum’s Universal Robots) by Karel Čapek. These "robots" weren’t mechanical machines but biological workers created to serve humans. The name came from the Czech word robota, meaning "forced labor." A century later, the term has clearly stuck.

Image: Mateo Avila Chinchilla

In 2001: A Space Odyssey (1968), Arthur C. Clarke introduced HAL 9000, an AI so advanced it could carry out conversations, read lips, and make decisions. But Clarke’s futuristic vision also included video calls, flat-screen tablets, and casual digital multitasking, all decades before such technology existed.

HAL’s breakdown was fiction, but Clarke accurately foresaw how machines would gradually take over our attention.

Image: Olivier Amyot

In 1880, Mary E. Bradley published her book Mizora: A Prophecy. Maybe not all of the details in her all-female utopia were prophetic, but she did get one thing right: artificially grown meat. In her world, food wasn’t farmed but created through chemical processes in laboratories.

It sounded outlandish at the time, but today some food companies are doing exactly that. Bradley’s vision came long before environmentalism or animal rights were mainstream. Somehow, in a story about feminism and science, she also imagined what we might now call the vegan burger.

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Credit cards might seem like a very modern invention, but they were anticipated in an 1888 novel. Looking Backward, by Edward Bellamy, imagined a future in the year 2000 where everyone received a card loaded with "credit" from the government. People used this card to access goods from massive communal warehouses—similar to what we today would call department stores.

Some names stick around

From Table Tap Joe to Ziggy Stardust: Who are the best song characters?

Sometimes, a character is the perfect alter-ego to write a song about oneself without self-referencing so much. Other times, a character is just a character. Over the years, musicians have come up with lonely dreamers, fearless heroes, mysterious strangers, and even supernatural villains who have become just as famous as the songs themselves. Some were inspired by real people, others sprang entirely from imagination, but all of them left a lasting mark on music history. Which of these 12 do you remember?

Tom Waits has always had a soft spot for society's oddballs, and few are even stranger than Table Top Joe. Introduced on the 2002 album Alice, Joe is born with only a head and hands, yet grows into a brilliant piano player whose extraordinary talent earns him fame despite the odds stacked against him.

The song unfolds like a forgotten American folk tale, complete with references to Coney Island's legendary Dreamland amusement park and composer Igor Stravinsky. Although many listeners assume the story is based on an old carnival legend, Table Top Joe is entirely Tom Waits' own creation.

Few fictional musicians have ever become as famous as Ziggy Stardust. Introduced in 1972, Ziggy is an alien rock star sent to Earth shortly before humanity's end, only to be consumed by the very fame that makes him a savior to millions.

David Bowie blurred the line between fiction and reality by performing as Ziggy onstage for more than a year. When he unexpectedly announced Ziggy's retirement during a concert at London's Hammersmith Odeon in 1973, many fans believed the character, and perhaps Bowie himself, had truly reached the end of the story.

Tommy Walker isn't just the hero of a song, he's the central figure of one of rock music's first great operas. After witnessing a traumatic event as a child, Tommy becomes deaf, mute, and blind, yet somehow develops astonishing pinball skills that transform him into an unlikely celebrity.

Pete Townshend built an entire musical world around Tommy, exploring themes of trauma, faith, and redemption. First released in 1969, Tommy later became a hit film, a Broadway production, and one of the most influential concept albums ever recorded.

Johnny B. Goode is every aspiring musician's dream. Growing up in rural Louisiana with little more than a guitar and natural talent, he plays so brilliantly that listeners predict "his name will be in lights."

Chuck Berry based the character partly on himself and partly on pianist Johnnie Johnson. Originally described as a "colored boy," Johnny became a "country boy" in the final lyrics, making the song more likely to receive airplay during the segregation era. Nearly two decades later, Johnny's anthem would even travel into space aboard NASA's Voyager Golden Record.

Few fictional characters have captured loneliness as powerfully as Eleanor Rigby. She quietly moves through life unnoticed, while Father McKenzie delivers sermons that no one hears, creating one of popular music's saddest portraits of isolation.

Paul McCartney later explained that Eleanor's name came from actress Eleanor Bron and the Liverpool shop Rigby & Evens. The discovery of an actual Eleanor Rigby gravestone in Liverpool only deepened the song's mystique, though McCartney maintained the coincidence was unintentional.

Billie Jean may be one of pop music's most famous women, yet Michael Jackson insisted she wasn't a real person. Instead, she represented several women who falsely claimed that he had fathered their children during the height of the Jackson 5's fame.

Released in 1983 as part of Thriller, the song became a global phenomenon. It also provided the stage for Jackson's legendary moonwalk during Motown 25.

Unlike many legendary song characters, Stagger Lee actually existed. His real name was Lee Shelton, a St. Louis criminal who murdered Billy Lyons during an argument over a hat on Christmas Eve in 1895.

The shocking crime quickly entered American folklore through countless folk songs before Lloyd Price transformed it into a chart-topping hit in 1958. More than a century later, Stagger Lee remains one of the most enduring antiheroes in American music.

Tom Dooley was inspired by Thomas Dula, a Confederate veteran executed in North Carolina in 1868 after being convicted of murdering Laura Foster. His surname was locally pronounced "Dooley," giving the ballad its familiar title.

The Kingston Trio revived the old Appalachian folk song in 1958, turning it into an international hit and helping launch America's folk music revival.

When the narrator of "Lola" meets an intriguing stranger in a Soho nightclub, expectations quickly give way to surprise. Ray Davies crafted one of rock's earliest mainstream stories exploring gender ambiguity, decades before the topic entered popular conversation.

The recording rarely reached British radio. Because BBC rules prohibited commercial product names, Davies had to interrupt a U.S. tour and fly back to London simply to replace the lyric "Coca-Cola" with the now-famous "cherry cola."

Unlike most famous song characters, the Piano Man is really Billy Joel himself. Before becoming a superstar, Joel spent six months in 1972 and 1973 performing under the pseudonym Bill Martin at the Executive Room, a piano bar in Los Angeles, after becoming trapped in a bad recording contract. The song transforms those experiences into a bittersweet portrait of ordinary people searching for escape at the end of another week.

Joel has said that virtually every character in the song was based on a real person, from bartender John to "Paul, the real estate novelist" and Davy, who really was in the Navy. Yet the Piano Man himself became the story's most enduring character: a quiet observer who offers music as a brief refuge for dreamers, lonely souls, and regulars alike. More than fifty years after its 1973 release, "Piano Man" remains Billy Joel's signature song, and its title has effectively become his lifelong nickname.

Standing nearly seven feet tall and missing an arm, Amos Moses roams the Louisiana swamps hunting alligators. Jerry Reed filled the song with colorful Southern expressions and exaggerated storytelling that make Amos feel like an authentic folk legend.

Although fictional, Amos embodies the larger-than-life heroes found throughout American tall tales. His adventures turned the song into one of Reed's biggest crossover hits and secured Amos a permanent place among country music's greatest characters.

Big Bad John hardly says a word, but he doesn't have to. The towering coal miner earns everyone's respect through quiet strength before sacrificing his own life to save fellow workers when a mine collapses.

Jimmy Dean's 1961 ballad became a smash hit, winning a Grammy and inspiring several sequel songs. More than sixty years later, Big Bad John still stands as one of country music's defining working-class heroes.