It doesn’t mean that

Most people use these 10 words incorrectly

What is the correct word to describe experiencing nausea? What about saying that you have several choices to pick from? If your first choice was to say "nauseous" or "alternative", you are mistaken. Vocabulary is, in great part, learned through copying and imitating others, but this can also lead to incorrect uses of a word becoming widespread. Let us explore some words that you might be using incorrectly!

Many people use "nauseous" to describe feeling sick or experiencing nausea, but this is incorrect. Nauseous primarily means something that causes sickness or nausea, such as spoiled food or foul smells.

The correct term for feeling sick is "nauseated", although some people consider that "feeling nauseous" has become so common that it is acceptable in informal speech.

This word definitely has something to do with size, but not in the way that many would think. Nowadays, we hear "enormity" used to describe huge things, but the better word for that would be "enormousness".

The correct use of "enormity" is related to bad things, wickedness, and evil, such as the "enormity of a crime" or "the enormity of a tragedy".

If you use the word "refute" to mean "opposing an argument", you are not wrong, but you are not necessarily right either. If you are simply opposing or presenting a counter-argument, "deny" or "rebut" would be more appropriate.

To properly refute something, saying it’s incorrect is not enough. You have to prove that the argument or claim is false with logic and supporting evidence.

Have you ever described an encounter or event as "fortuitous"? Maybe a stranger helped you at the right moment, or you found a $100 bill in your pocket. These are indeed fortuitous events, but not because they are beneficial to you.

The word "fortuitous" means that something happens by pure chance or accident, but does not necessarily involve luck or good fortune.

One would think that by adding the prefix dis- (meaning "opposite" or "apart") to the word "interested", the resulting meaning would be "not interested" or "bored". However, the correct term for not being interested is "uninterested".

What does disinterested mean, then? It does convey a lack of interest, in the sense that one does not have any personal gain in the situation and is able to be fair, neutral, and unbiased.

Many people define themselves as a skeptic about certain topics or beliefs, but are they really skeptics or are they mere deniers? The term "denier" carries a negative connotation, so it’s easy to see why someone wouldn’t use it to define themselves, but "skeptic" has a different meaning.

Skeptics question a statement or claim, but they do it based on evidence. They assess the facts and are open to changing their mind if the evidence proves them wrong. On the other hand, deniers flat-out reject the claim or belief, and close themselves to any fact or evidence.

It is common to hear "nonplussed" to describe someone being calm or unfazed by things, but did you know that its proper meaning is the opposite? It actually means that you are so surprised or confused that you don’t know what to say or do.

The word comes from the Latin non plus, meaning "no more" or "no further", and it was initially used for a standstill situation where nothing else could be said or done. Eventually, it shifted to describe being in that standstill state, with no idea what to do.

Is "alternative" synonymous with "choice"? Yes, but only sometimes. Although it is common to hear about having "multiple alternatives", by definition an alternative is a choice between two things.

The word comes from the Latin alter, "the other", traditionally used for choices with two different options. If the choices are multiple, they are simply choices.

It is common to hear problems described as dilemmas, but while all dilemmas are a problem, not all problems are a dilemma. A problem is a difficult situation that needs to be solved. There might be more than one solution, and some problems might be easier than others.

A dilemma, however, is never easy or clear, because it presents two choices, none of them attractive. No matter the choice, the outcome will be negative.

In many words, the prefix in- means "not", which might make one think that words like "inflammable" mean "not flammable". However, many words use the prefix in- to mean "into" or "to cause to be", and inflammable is one of them.

The English vocabulary adopted the term "flammable", meaning something that easily catches fire, from Latin. But Latin also had the term inflammare, meaning "to set on fire", from which we got inflammable, which means that "flammable" and "inflammable" are synonyms, and their opposite is "non-flammable".

Paints from the past

10 historical pigments with shocking and bizarre origins

We often assume that the past was a dull, washed-out world. But history has always been bursting with vibrant color, even if humanity had to take extreme measures to capture it. From crushing millions of tiny bugs to robbing ancient tombs and playing with dangerous substances, artists and chemists spent centuries inventing brilliant hues. Here are 10 pigments with surprising, strange, and sometimes terrifying origins.

The word carmine refers to a family of deep reds. Its origins trace back to tiny scale insects, Dactylopius coccus (cochineal scale), that feed on cactus berries. When European explorers reached Mexico in the 16th century, they discovered native populations producing reds far more vibrant than anything in Europe.

Harvesters collected the female insects, killed them, and dried them in the sun to extract carminic acid. It took roughly 70,000 insects to make a single pound of pigment. Today, synthetics have replaced it in textiles, but carmine is still used under names like "natural red 4" to color candles and cosmetics.

Dating back to the 3rd millennium BCE, Egyptian blue is the first known synthetic pigment in human history. Ancient craftsmen created this vibrant azure by heating quartz, copper, alkali, and lime to extreme temperatures.

This recipe was lost for over a thousand years before it was reverse-engineered in the 19th century. Interestingly, under modern infrared light, Egyptian blue glows with intense fluorescence, helping researchers scan archeological sites.

In ancient China, color was regulated by law to determine social status. Starting with the Zhou dynasty, yellow became linked with the throne.

By the Tang dynasty, laws strictly forbade anyone outside the imperial family from wearing garments dyed in reddish-yellow shades. Also, creating this prestigious color wasn’t easy. It was an arduous process that required harvesting massive amounts of Chinese foxglove tubers, grinding them into a paste, and finally staining fabrics.

Many great breakthroughs are born from accidents, and mauveine is no exception. In 1856, an 18-year-old English chemist named William Henry Perkin was trying to synthesize a cure for malaria using aniline.

His experiment failed, leaving behind a sticky black residue with bright purple remnants. Perkin recognized the beauty of his accident and launched the world’s first mass-produced synthetic dye, sparking a global industry that changed fashion and art forever.

Over the years, people have made plenty of weird choices in the name of beauty, but mummy brown is probably the creepiest. Popular among 18th- and 19th-century European painters for its rich, translucent shading, this yellowish-brown pigment was literally made by looting Egyptian tombs and grinding down mummified human remains and animals.

When artists discovered what their paint was actually made of, they were horrified. The practice finally ended in 1964 when the supply of preserved bodies ran dry.

Alchemists and artists have always been fascinated by hues that resemble gold, but orpiment came with lethal consequences. This naturally occurring mineral features a fiery orange-yellow brilliance, yet it contains toxic arsenic sulfide.

Alchemists working in hot, unventilated labs would hang over furnaces heating orpiment to manufacture this golden pigment, poisoning themselves in the process. Despite the danger, master painters relied on its vibrant punch until safer cadmium and chromium alternatives arrived.

When archaeologists uncovered the ancient Roman city of Pompeii, they found stunning villas adorned with deep red frescoes. For generations, experts believed the color came from local iron-rich clay.

However, modern scientific analysis suggests that those red walls may have originally been yellow ochre. When Mount Vesuvius erupted in 79 CE, the intense volcanic heat cooked the mineral, transforming the yellow walls into the unique red we see today.

Prussian blue was born in 1706 through a lab mishap. Johann Jacob Diesbach, a German paint maker, was trying to create red carmine, but a contaminated batch of ingredients caused an unexpected chemical reaction, producing a deep blue instead.

This accidental pigment later replaced expensive ultramarine for painters, and it also became the basis for the chemical process behind architectural blueprints.

Fun fact: Purified forms of Prussian blue are still used today as a medical antidote for heavy metal poisoning.

Invented in 1775 by Swedish-German chemist Carl Wilhelm Scheele, this brilliant green is obtained by mixing copper, oxygen, and arsenic. Scheele’s green became a Victorian obsession, used in everything from children’s toys and dresses to patterned wallpaper.

Tragically, factory workers suffered horrific chronic arsenic poisoning making it. Even worse, when wallpaper made with Scheele’s green got damp, mould could release poisonous arsenic gas into the air (a phenomenon believed to have contributed to Napoleon Bonaparte’s mysterious illness and death in exile).

In the ancient world, purple was the ultimate symbol of wealth and power, often costing its weight in silver. Tyrian purple was especially prized because it resisted fading, but producing it required hard labor and cost marine life.

Derived from the mucus secretions of Murex sea snails, it took roughly 10,000 crushed snails to produce just a single gram of dye. The process left a foul stench along the Mediterranean coasts, so it was a color exclusively worn by emperors until modern technology finally figured out how to synthesize the exact same molecule using engineered bacteria.