UNWONTED TERMS FOR UNCOMMON SITUATIONS

What does “cattywampus” mean and why you should know it: 10 odd words

Image: Patrick Tomasso

Everything that exists, even if only in our minds, can be named. Such is the beauty of words, and the English language is especially rich and ingenious in this regard. Its lexicon not only embraces the conventional but also celebrates the delightfully odd.

Within its linguistic treasure lie peculiar words like "kerfuffle," "bumfuzzle," and "collywobbles" that dance on the tongue and paint vivid portraits of unusual situations. Take a moment and read about twelve seldom-heard terms that almost seem unreal.

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Have you ever heard the word "kerfuffle"? It is a delightful linguistic oddity that describes a state of mild chaos or disorder.

This peculiar term originated from Scottish dialects in the late 18th century, derived from the Gaelic cur, meaning to twist or bend, combined with fuffle, suggesting disorderly movement or commotion. As with quite a few examples on this list, the very sound of the word itself evokes its meaning.

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Another word that rarely gets thrown around, "discombobulate," aptly describes a state of confusion, disorientation, or bewilderment.

The prefix dis- means negation or reversal, while combobulate is an invention that might have been influenced by similar-sounding words like "discompose" or "discomfit." Together, they form a word that evokes the sensation of being mentally perplexed.

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Another word that describes a state of confusion, "bumfuzzle," originated in the Southern United States in the mid-19th century with an uncertain etymology, possibly arising from a blend of "bamboozle" and "fuddle."

This term embodies the linguistic treasure found in regional dialects, showcasing English's ability to develop expressive terms to portray the complexity of human emotions.

Image: Towfiqu barbhuiya

A word that closes this trilogy of confusion terms, "flummox," also describes a state of bewilderment, perplexity, or confusion.

Making its first appearance in 19th-century England, its exact etymology remains uncertain, possibly derived from combining flummock, a word meaning to bewilder or confuse, with the suffix "-ox," adding emphasis or exaggeration.

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"Flibbertigibbet" is a term that can be used to describe someone who is frivolous or overly talkative. Its origins can be traced back to Old English, where flibbert denoted a frivolous person and gibbet referred to an inconsistent and unstable individual.

The word, as hard to pronounce as it is, serves as an apt definition for a lively yet disorganized individual. Think of someone who, when exposing his thoughts, is enthusiastic yet all over the place.

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We all know a "whippersnapper," even if we probably don't call them that way. The term is used to describe a young and inexperienced person, often with an air of arrogance or impudence.

The word dates back to the 17th century, blending "whip," meaning something small or insignificant, with "snapper," suggesting someone who talks back or is impertinent. It was initially used to mock young men who cracked whips while herding cattle, and it evolved into a light-hearted term teasingly aimed at youthful individuals displaying an excess of self-assurance.

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If you’ve ever heard someone eating, sipping, slurping, or drinking noisily, then you have heard someone "bibble." As with many cases in the English language, the origin of the word is very possibly rooted in onomatopoeia: a written emulation of the very sound that it aims to describe. The word is not to be confused with "nibble," which means "to take small bites" of something.

Image: Towfiqu Barbhuiya

One –even less used– cousin of the term "gibberish," "gobbledygook" is an endearing linguistic oddity used to describe incomprehensible or jumbled language, often mixed with obscure slang or meaningless words.

Coined in the 1940s by Texas Congressman Maury Maverick, this term blends "gobble," reminiscent of turkeys' sounds, with "gook," signifying muddled, unclear speech. Initially aimed at criticizing bureaucratic language, it was eventually used to describe similar discourse in every other sphere as well.

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The kind of phobia that will turn anybody’s home into a library, "abibliophobia," is a charmingly peculiar term that describes the fear of running out of reading material or being without books.

While not officially recognised in psychological dictionaries, its origins can be traced to the Greek roots a-, meaning without, biblio-, referring to books, and -phobia, denoting fear. This word defines the anxiety book lovers might experience at the thought of an empty shelf or an absence of new reading material.

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A regional dialect, "cattywampus," is a term that describes either something positioned diagonally or something that is going the wrong way.

In either case, the word evokes a sense of playful disorder or misalignment and is an example of the English language's knack for inventing expressions that illustrate situations that aren't quite straight or are plain wrong, but in a lighter sense.

Image: Nik Shuliahin

A funny word to describe a not-so-funny sensation, "collywobbles" refers to a feeling of nervousness, unease, or fluttering in the stomach.

Its origins trace back to the 19th century, merging "colly," an old English term for coal dust or darkness, with "wobbles," implying an unsettled or wobbly sensation. Initially describing a feeling of stomach discomfort or anxiety, it evolved to signify a broader sense of nervousness or apprehension.

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The most fitting word on this list was left for the last. "Unwonted" is a very rarely used term that describes something uncommon, unusual, or not customary.

Coming from Old English, it combines "un-" as a prefix denoting negation or reversal and "wonted," which is derived from wont, meaning accustomed or habitual. An unwonted word in itself, this was a much more used term in the days of Charles Dickens and Henry James, when prose and spoken language were more adorned.

Some names stick around

From Table Tap Joe to Ziggy Stardust: Who are the best song characters?

Sometimes, a character is the perfect alter-ego to write a song about oneself without self-referencing so much. Other times, a character is just a character. Over the years, musicians have come up with lonely dreamers, fearless heroes, mysterious strangers, and even supernatural villains who have become just as famous as the songs themselves. Some were inspired by real people, others sprang entirely from imagination, but all of them left a lasting mark on music history. Which of these 12 do you remember?

Tom Waits has always had a soft spot for society's oddballs, and few are even stranger than Table Top Joe. Introduced on the 2002 album Alice, Joe is born with only a head and hands, yet grows into a brilliant piano player whose extraordinary talent earns him fame despite the odds stacked against him.

The song unfolds like a forgotten American folk tale, complete with references to Coney Island's legendary Dreamland amusement park and composer Igor Stravinsky. Although many listeners assume the story is based on an old carnival legend, Table Top Joe is entirely Tom Waits' own creation.

Few fictional musicians have ever become as famous as Ziggy Stardust. Introduced in 1972, Ziggy is an alien rock star sent to Earth shortly before humanity's end, only to be consumed by the very fame that makes him a savior to millions.

David Bowie blurred the line between fiction and reality by performing as Ziggy onstage for more than a year. When he unexpectedly announced Ziggy's retirement during a concert at London's Hammersmith Odeon in 1973, many fans believed the character, and perhaps Bowie himself, had truly reached the end of the story.

Tommy Walker isn't just the hero of a song, he's the central figure of one of rock music's first great operas. After witnessing a traumatic event as a child, Tommy becomes deaf, mute, and blind, yet somehow develops astonishing pinball skills that transform him into an unlikely celebrity.

Pete Townshend built an entire musical world around Tommy, exploring themes of trauma, faith, and redemption. First released in 1969, Tommy later became a hit film, a Broadway production, and one of the most influential concept albums ever recorded.

Johnny B. Goode is every aspiring musician's dream. Growing up in rural Louisiana with little more than a guitar and natural talent, he plays so brilliantly that listeners predict "his name will be in lights."

Chuck Berry based the character partly on himself and partly on pianist Johnnie Johnson. Originally described as a "colored boy," Johnny became a "country boy" in the final lyrics, making the song more likely to receive airplay during the segregation era. Nearly two decades later, Johnny's anthem would even travel into space aboard NASA's Voyager Golden Record.

Few fictional characters have captured loneliness as powerfully as Eleanor Rigby. She quietly moves through life unnoticed, while Father McKenzie delivers sermons that no one hears, creating one of popular music's saddest portraits of isolation.

Paul McCartney later explained that Eleanor's name came from actress Eleanor Bron and the Liverpool shop Rigby & Evens. The discovery of an actual Eleanor Rigby gravestone in Liverpool only deepened the song's mystique, though McCartney maintained the coincidence was unintentional.

Billie Jean may be one of pop music's most famous women, yet Michael Jackson insisted she wasn't a real person. Instead, she represented several women who falsely claimed that he had fathered their children during the height of the Jackson 5's fame.

Released in 1983 as part of Thriller, the song became a global phenomenon. It also provided the stage for Jackson's legendary moonwalk during Motown 25.

Unlike many legendary song characters, Stagger Lee actually existed. His real name was Lee Shelton, a St. Louis criminal who murdered Billy Lyons during an argument over a hat on Christmas Eve in 1895.

The shocking crime quickly entered American folklore through countless folk songs before Lloyd Price transformed it into a chart-topping hit in 1958. More than a century later, Stagger Lee remains one of the most enduring antiheroes in American music.

Tom Dooley was inspired by Thomas Dula, a Confederate veteran executed in North Carolina in 1868 after being convicted of murdering Laura Foster. His surname was locally pronounced "Dooley," giving the ballad its familiar title.

The Kingston Trio revived the old Appalachian folk song in 1958, turning it into an international hit and helping launch America's folk music revival.

When the narrator of "Lola" meets an intriguing stranger in a Soho nightclub, expectations quickly give way to surprise. Ray Davies crafted one of rock's earliest mainstream stories exploring gender ambiguity, decades before the topic entered popular conversation.

The recording rarely reached British radio. Because BBC rules prohibited commercial product names, Davies had to interrupt a U.S. tour and fly back to London simply to replace the lyric "Coca-Cola" with the now-famous "cherry cola."

Unlike most famous song characters, the Piano Man is really Billy Joel himself. Before becoming a superstar, Joel spent six months in 1972 and 1973 performing under the pseudonym Bill Martin at the Executive Room, a piano bar in Los Angeles, after becoming trapped in a bad recording contract. The song transforms those experiences into a bittersweet portrait of ordinary people searching for escape at the end of another week.

Joel has said that virtually every character in the song was based on a real person, from bartender John to "Paul, the real estate novelist" and Davy, who really was in the Navy. Yet the Piano Man himself became the story's most enduring character: a quiet observer who offers music as a brief refuge for dreamers, lonely souls, and regulars alike. More than fifty years after its 1973 release, "Piano Man" remains Billy Joel's signature song, and its title has effectively become his lifelong nickname.

Standing nearly seven feet tall and missing an arm, Amos Moses roams the Louisiana swamps hunting alligators. Jerry Reed filled the song with colorful Southern expressions and exaggerated storytelling that make Amos feel like an authentic folk legend.

Although fictional, Amos embodies the larger-than-life heroes found throughout American tall tales. His adventures turned the song into one of Reed's biggest crossover hits and secured Amos a permanent place among country music's greatest characters.

Big Bad John hardly says a word, but he doesn't have to. The towering coal miner earns everyone's respect through quiet strength before sacrificing his own life to save fellow workers when a mine collapses.

Jimmy Dean's 1961 ballad became a smash hit, winning a Grammy and inspiring several sequel songs. More than sixty years later, Big Bad John still stands as one of country music's defining working-class heroes.