Evolution of terms

Are you guilty of using these 11 old-timey terms for everyday things?

Would you know what to give a person if they asked you to pass them the "clicker"? And would you say that you know how to safely handle a "range"? Some objects we see every day had very different names in their early days. So we’ve made a list of nostalgic terms that we stopped using over time. See if you know them all!

Why would you call a remote control a clicker? Simple: because of the sound it made when used. The original versions weren’t even electronic; instead, some used mechanical hammers that emitted a high-pitched click to signal the TV and control it remotely.

Before the devices we know today, shaving was a delicate art performed with straight blades. These were known as cut-throat razors, for obvious reasons.

Later, popularized by King C. Gillette in the early 1900s, the safety razor featured a protective guard to prevent deep cuts and made shaving safer for home use. Today, we just call them "razors" or call them by their brand.

Did your grandparents ever tell you to "put on your galoshes"? During the 19th century, the term referred to rubber overshoes worn to protect regular shoes from rain and mud. As waterproof rubber footwear (what we now call rain boots) became more widespread, many people began using galoshes to refer to those as well.

Old refrigerators where people cooled their perishables were known as iceboxes. They looked like wooden cabinets with metal linings inside, and contained large blocks of ice, which were delivered regularly by icemen. The ice sat in a compartment at the top, keeping food cool as it slowly melted, with runoff collected in a tray underneath.

As with galoshes, the term icebox continued to be used even after electric refrigerators became the norm.

Long before denim and jeans became the go-to terms, these work pants were often called dungarees. The name was less a nod to style or cut than to durability and purpose.

The term comes from Dongri, a dockside village near Mumbai, India, where a coarse, durable cotton fabric was produced and exported by the British in the 17th century. When the blue, strong fabric we know as "denim" became widespread, it made sense to call these garments the same way rugged pants had always been called.

You might be thinking, "Don’t we still use that word?" Of course we do. But there was a time when very few homes on the block had the technology to receive phone calls at all.

During the late 20th century, as portable telephones became widespread, a new term was required to refer to the phones with physical cables connected to underground networks. Thus, the word landline emerged to differentiate them from mobile phones.

"Spectacles" might sound quaint today, but for a long time, it was the standard word for a vision-correcting device. Early lenses were handheld and were introduced in Europe in the late 13th century!

The switch to the term glasses began in the 20th century, as optical glass became the standard lens material, and gained popularity largely through colloquial shortening.

Before Spotify playlists and digital shuffles, music lovers gathered around a turntable spinning at the center of the room. This was the common term for the rotating platform used to play vinyl records. Today, as vinyl has made an unexpected comeback, the term is often replaced in casual speech by record player.

This is another word we still use frequently, though its meaning has shifted over time. When typewriters were a must in every office, people often referred to the entire machine simply as **the keyboard**—a classic example of synecdoche.

Of course, the term keyboard was carried over from typewriters, and now we use it to refer mostly to the QWERTY set of keys.

Range was once the common term for a large cooking appliance with multiple burners and compartments—in other words, a long, horizontal cooking surface that could "range" across different heat zones.

As gas and electric stoves became more compact and widely accessible in the 20th century, stove increasingly replaced range in everyday speech.

Today, the word wireless brings to mind Wi-Fi or Bluetooth-connected headphones. But many technologies were "wireless" long before that. Early radio, in fact, was commonly referred to as wireless.

In the late 19th and early 20th centuries, radio was known as wireless telegraphy because it allowed messages to be transmitted without physical wires. The term gradually faded as the technology evolved, and radio became the standard term by the 1930s.

Some names stick around

From Table Tap Joe to Ziggy Stardust: Who are the best song characters?

Sometimes, a character is the perfect alter-ego to write a song about oneself without self-referencing so much. Other times, a character is just a character. Over the years, musicians have come up with lonely dreamers, fearless heroes, mysterious strangers, and even supernatural villains who have become just as famous as the songs themselves. Some were inspired by real people, others sprang entirely from imagination, but all of them left a lasting mark on music history. Which of these 12 do you remember?

Tom Waits has always had a soft spot for society's oddballs, and few are even stranger than Table Top Joe. Introduced on the 2002 album Alice, Joe is born with only a head and hands, yet grows into a brilliant piano player whose extraordinary talent earns him fame despite the odds stacked against him.

The song unfolds like a forgotten American folk tale, complete with references to Coney Island's legendary Dreamland amusement park and composer Igor Stravinsky. Although many listeners assume the story is based on an old carnival legend, Table Top Joe is entirely Tom Waits' own creation.

Few fictional musicians have ever become as famous as Ziggy Stardust. Introduced in 1972, Ziggy is an alien rock star sent to Earth shortly before humanity's end, only to be consumed by the very fame that makes him a savior to millions.

David Bowie blurred the line between fiction and reality by performing as Ziggy onstage for more than a year. When he unexpectedly announced Ziggy's retirement during a concert at London's Hammersmith Odeon in 1973, many fans believed the character, and perhaps Bowie himself, had truly reached the end of the story.

Tommy Walker isn't just the hero of a song, he's the central figure of one of rock music's first great operas. After witnessing a traumatic event as a child, Tommy becomes deaf, mute, and blind, yet somehow develops astonishing pinball skills that transform him into an unlikely celebrity.

Pete Townshend built an entire musical world around Tommy, exploring themes of trauma, faith, and redemption. First released in 1969, Tommy later became a hit film, a Broadway production, and one of the most influential concept albums ever recorded.

Johnny B. Goode is every aspiring musician's dream. Growing up in rural Louisiana with little more than a guitar and natural talent, he plays so brilliantly that listeners predict "his name will be in lights."

Chuck Berry based the character partly on himself and partly on pianist Johnnie Johnson. Originally described as a "colored boy," Johnny became a "country boy" in the final lyrics, making the song more likely to receive airplay during the segregation era. Nearly two decades later, Johnny's anthem would even travel into space aboard NASA's Voyager Golden Record.

Few fictional characters have captured loneliness as powerfully as Eleanor Rigby. She quietly moves through life unnoticed, while Father McKenzie delivers sermons that no one hears, creating one of popular music's saddest portraits of isolation.

Paul McCartney later explained that Eleanor's name came from actress Eleanor Bron and the Liverpool shop Rigby & Evens. The discovery of an actual Eleanor Rigby gravestone in Liverpool only deepened the song's mystique, though McCartney maintained the coincidence was unintentional.

Billie Jean may be one of pop music's most famous women, yet Michael Jackson insisted she wasn't a real person. Instead, she represented several women who falsely claimed that he had fathered their children during the height of the Jackson 5's fame.

Released in 1983 as part of Thriller, the song became a global phenomenon. It also provided the stage for Jackson's legendary moonwalk during Motown 25.

Unlike many legendary song characters, Stagger Lee actually existed. His real name was Lee Shelton, a St. Louis criminal who murdered Billy Lyons during an argument over a hat on Christmas Eve in 1895.

The shocking crime quickly entered American folklore through countless folk songs before Lloyd Price transformed it into a chart-topping hit in 1958. More than a century later, Stagger Lee remains one of the most enduring antiheroes in American music.

Tom Dooley was inspired by Thomas Dula, a Confederate veteran executed in North Carolina in 1868 after being convicted of murdering Laura Foster. His surname was locally pronounced "Dooley," giving the ballad its familiar title.

The Kingston Trio revived the old Appalachian folk song in 1958, turning it into an international hit and helping launch America's folk music revival.

When the narrator of "Lola" meets an intriguing stranger in a Soho nightclub, expectations quickly give way to surprise. Ray Davies crafted one of rock's earliest mainstream stories exploring gender ambiguity, decades before the topic entered popular conversation.

The recording rarely reached British radio. Because BBC rules prohibited commercial product names, Davies had to interrupt a U.S. tour and fly back to London simply to replace the lyric "Coca-Cola" with the now-famous "cherry cola."

Unlike most famous song characters, the Piano Man is really Billy Joel himself. Before becoming a superstar, Joel spent six months in 1972 and 1973 performing under the pseudonym Bill Martin at the Executive Room, a piano bar in Los Angeles, after becoming trapped in a bad recording contract. The song transforms those experiences into a bittersweet portrait of ordinary people searching for escape at the end of another week.

Joel has said that virtually every character in the song was based on a real person, from bartender John to "Paul, the real estate novelist" and Davy, who really was in the Navy. Yet the Piano Man himself became the story's most enduring character: a quiet observer who offers music as a brief refuge for dreamers, lonely souls, and regulars alike. More than fifty years after its 1973 release, "Piano Man" remains Billy Joel's signature song, and its title has effectively become his lifelong nickname.

Standing nearly seven feet tall and missing an arm, Amos Moses roams the Louisiana swamps hunting alligators. Jerry Reed filled the song with colorful Southern expressions and exaggerated storytelling that make Amos feel like an authentic folk legend.

Although fictional, Amos embodies the larger-than-life heroes found throughout American tall tales. His adventures turned the song into one of Reed's biggest crossover hits and secured Amos a permanent place among country music's greatest characters.

Big Bad John hardly says a word, but he doesn't have to. The towering coal miner earns everyone's respect through quiet strength before sacrificing his own life to save fellow workers when a mine collapses.

Jimmy Dean's 1961 ballad became a smash hit, winning a Grammy and inspiring several sequel songs. More than sixty years later, Big Bad John still stands as one of country music's defining working-class heroes.