Well, actually…

"Houston, we have a problem" was invented by a Hollywood screenwriter

Popular quotes are a good way to condense the ideas of a famous figure or to quickly make a reference to our favorite film or book. But we might not realize that many phrases embedded in society’s collective memory are actually misquotes or wrongly attributed to someone else. These are 12 examples of popular misquotes.

If you were to ask who said this phrase, most people would answer Marie Antoinette. However, that would be incorrect. The original phrase—_"Qu'ils mangent de la brioche,"_ or _"Let them eat brioche"_—was attributed by Jean-Jacques Rousseau in his Confessions to an unnamed princess. How do we know it wasn’t Marie Antoinette? She was only nine years old at the time and still living in Austria.

Darth Vader’s most quoted line never existed in that form. In The Empire Strikes Back, Luke accuses Darth Vader of murdering his father, based on what Obi-Wan Kenobi told him. Darth Vader’s actual response—_"No, I am your father"_—has since lived on as a misquote in the collective memory.

Historians disagree about the last words spoken by Julius Caesar. Some say he remained silent after an initial cry of surprise, while others report that he spoke in Greek to his friend Brutus, saying Καὶ σύ, τέκνον ("You too, child"). The famous _"Et tu, Brute?"_—which can be translated as "And you?" or "You too, Brutus?"—first appeared in Caesar Interfectus by Richard Edes, but was later popularized by William Shakespeare’s Julius Caesar.

While this phrase is often associated with Niccolò Machiavelli’s ideology, he never actually said it. In his works, Machiavelli argued that rulers might sometimes need to resort to questionable means to ensure the greater good. He emphasized that one can never fully know a person’s intentions, so it is better to judge them by the results of their actions.

According to legend, while on trial for teaching heliocentrism—at the time not scientifically proven and considered contrary to biblical teaching—Galileo Galilei famously declared "E pur si muove!" ("And yet it moves!"), meaning that the universe does not bend to belief. Although the phrase is attributed to Galileo, it was first recorded at least a century after his death, with no evidence of it being veridical.

Casablanca is one of the undisputed classics of cinematic history, and it has frequently been quoted and used as inspiration. However, one of its most famous phrases—"Play it again, Sam"—is actually a misquote. Ingrid Bergman’s character says both "Play it once, Sam, for old times’ sake" and "Play it, Sam. Play ‘As Time Goes By’" but the misquote became popular after Woody Allen’s play, later adapted into the film Play It Again, Sam.

This lovely quote, often attributed to Mahatma Gandhi, is another example of a phrase mistakenly linked to a famous figure. Gandhi expressed a similar sentiment in his writings—the idea that change must begin with oneself—but the exact wording is not his. The phrase is more accurately attributed to Arleen Lorrance, a 1970s educator.

In the early 20th century, Evelyn Beatrice Hall published The Friends of Voltaire, a biography of the French philosopher. In it, as a way to illustrate Voltaire’s beliefs on freedom of speech, she penned the phrase: "I disapprove of what you say, but I will defend to the death your right to say it." The maxim was such a good synopsis of Voltairian ideals that most people came to believe it was a direct quote from him.

On April 13, 1970, the Apollo 13 spacecraft had to abort its mission due to the explosion of an oxygen tank. Astronaut Jack Swigert first reported the issue with the words: "Okay, Houston, we’ve had a problem here." Jim Lovell later repeated, "Houston, we’ve had a problem." How did the misquote become so popular? In the 1995 film Apollo 13, the screenwriter thought the past tense was not dramatic enough, and he changed it to "we have a problem."

One could argue that this phrase is one of the quintessential Sherlock Holmes sayings. But did you know it wasn’t written by Arthur Conan Doyle? Sherlock Holmes does call his companion "my dear Watson," and he uses the word "elementary" when describing his deductions, but the full phrase —"Elementary, my dear Watson"— first appeared in a 1899 stage play and was later popularized by Basil Rathbone’s film adaptations.

Real Trekkies know that this phrase, though popular, was never actually spoken by Captain Kirk in the original Star Trek series. He did say similar lines, such as "Mr. Scott, beam us up," and other variants. The misquote became so popular that it entered popular culture as a saying of its own.

Some could argue that the Bible is the most misquoted book of all time. This particular phrase, often cited from Paul’s first letter to Timothy, is used to criticize money, but most people don’t realize that it is only a partial quote. The full passage—"For the love of money is the root of all evil"—warns against the dangers of loving money excessively.

Some names stick around

From Table Tap Joe to Ziggy Stardust: Who are the best song characters?

Sometimes, a character is the perfect alter-ego to write a song about oneself without self-referencing so much. Other times, a character is just a character. Over the years, musicians have come up with lonely dreamers, fearless heroes, mysterious strangers, and even supernatural villains who have become just as famous as the songs themselves. Some were inspired by real people, others sprang entirely from imagination, but all of them left a lasting mark on music history. Which of these 12 do you remember?

Tom Waits has always had a soft spot for society's oddballs, and few are even stranger than Table Top Joe. Introduced on the 2002 album Alice, Joe is born with only a head and hands, yet grows into a brilliant piano player whose extraordinary talent earns him fame despite the odds stacked against him.

The song unfolds like a forgotten American folk tale, complete with references to Coney Island's legendary Dreamland amusement park and composer Igor Stravinsky. Although many listeners assume the story is based on an old carnival legend, Table Top Joe is entirely Tom Waits' own creation.

Few fictional musicians have ever become as famous as Ziggy Stardust. Introduced in 1972, Ziggy is an alien rock star sent to Earth shortly before humanity's end, only to be consumed by the very fame that makes him a savior to millions.

David Bowie blurred the line between fiction and reality by performing as Ziggy onstage for more than a year. When he unexpectedly announced Ziggy's retirement during a concert at London's Hammersmith Odeon in 1973, many fans believed the character, and perhaps Bowie himself, had truly reached the end of the story.

Tommy Walker isn't just the hero of a song, he's the central figure of one of rock music's first great operas. After witnessing a traumatic event as a child, Tommy becomes deaf, mute, and blind, yet somehow develops astonishing pinball skills that transform him into an unlikely celebrity.

Pete Townshend built an entire musical world around Tommy, exploring themes of trauma, faith, and redemption. First released in 1969, Tommy later became a hit film, a Broadway production, and one of the most influential concept albums ever recorded.

Johnny B. Goode is every aspiring musician's dream. Growing up in rural Louisiana with little more than a guitar and natural talent, he plays so brilliantly that listeners predict "his name will be in lights."

Chuck Berry based the character partly on himself and partly on pianist Johnnie Johnson. Originally described as a "colored boy," Johnny became a "country boy" in the final lyrics, making the song more likely to receive airplay during the segregation era. Nearly two decades later, Johnny's anthem would even travel into space aboard NASA's Voyager Golden Record.

Few fictional characters have captured loneliness as powerfully as Eleanor Rigby. She quietly moves through life unnoticed, while Father McKenzie delivers sermons that no one hears, creating one of popular music's saddest portraits of isolation.

Paul McCartney later explained that Eleanor's name came from actress Eleanor Bron and the Liverpool shop Rigby & Evens. The discovery of an actual Eleanor Rigby gravestone in Liverpool only deepened the song's mystique, though McCartney maintained the coincidence was unintentional.

Billie Jean may be one of pop music's most famous women, yet Michael Jackson insisted she wasn't a real person. Instead, she represented several women who falsely claimed that he had fathered their children during the height of the Jackson 5's fame.

Released in 1983 as part of Thriller, the song became a global phenomenon. It also provided the stage for Jackson's legendary moonwalk during Motown 25.

Unlike many legendary song characters, Stagger Lee actually existed. His real name was Lee Shelton, a St. Louis criminal who murdered Billy Lyons during an argument over a hat on Christmas Eve in 1895.

The shocking crime quickly entered American folklore through countless folk songs before Lloyd Price transformed it into a chart-topping hit in 1958. More than a century later, Stagger Lee remains one of the most enduring antiheroes in American music.

Tom Dooley was inspired by Thomas Dula, a Confederate veteran executed in North Carolina in 1868 after being convicted of murdering Laura Foster. His surname was locally pronounced "Dooley," giving the ballad its familiar title.

The Kingston Trio revived the old Appalachian folk song in 1958, turning it into an international hit and helping launch America's folk music revival.

When the narrator of "Lola" meets an intriguing stranger in a Soho nightclub, expectations quickly give way to surprise. Ray Davies crafted one of rock's earliest mainstream stories exploring gender ambiguity, decades before the topic entered popular conversation.

The recording rarely reached British radio. Because BBC rules prohibited commercial product names, Davies had to interrupt a U.S. tour and fly back to London simply to replace the lyric "Coca-Cola" with the now-famous "cherry cola."

Unlike most famous song characters, the Piano Man is really Billy Joel himself. Before becoming a superstar, Joel spent six months in 1972 and 1973 performing under the pseudonym Bill Martin at the Executive Room, a piano bar in Los Angeles, after becoming trapped in a bad recording contract. The song transforms those experiences into a bittersweet portrait of ordinary people searching for escape at the end of another week.

Joel has said that virtually every character in the song was based on a real person, from bartender John to "Paul, the real estate novelist" and Davy, who really was in the Navy. Yet the Piano Man himself became the story's most enduring character: a quiet observer who offers music as a brief refuge for dreamers, lonely souls, and regulars alike. More than fifty years after its 1973 release, "Piano Man" remains Billy Joel's signature song, and its title has effectively become his lifelong nickname.

Standing nearly seven feet tall and missing an arm, Amos Moses roams the Louisiana swamps hunting alligators. Jerry Reed filled the song with colorful Southern expressions and exaggerated storytelling that make Amos feel like an authentic folk legend.

Although fictional, Amos embodies the larger-than-life heroes found throughout American tall tales. His adventures turned the song into one of Reed's biggest crossover hits and secured Amos a permanent place among country music's greatest characters.

Big Bad John hardly says a word, but he doesn't have to. The towering coal miner earns everyone's respect through quiet strength before sacrificing his own life to save fellow workers when a mine collapses.

Jimmy Dean's 1961 ballad became a smash hit, winning a Grammy and inspiring several sequel songs. More than sixty years later, Big Bad John still stands as one of country music's defining working-class heroes.