words origins and their changes

Born by accident: 10 English words that started as mistakes

There are many words we use today that actually came from small "mistakes," like "shamefaced", "penthouse", or the verb "edit." Back then, as words moved between languages and writing wasn’t as common, changes in spelling, pronunciation, or transcription were usual. Sometimes these shifts were unintentional, and other times they were adjusted to sound more familiar with what people thought the word meant. Let’s see these 10 words you probably didn’t know were born as accidents.

The word "shamefaced" looks like it's referring to your face turning red with embarrassment, but that's not actually its first meaning. The original word was shamefast, and that second part, fast, used to mean "held firmly in place." So it wasn't about your face showing how ashamed you were; it was about being held back, or frozen, by shame. Around the 16th and 17th centuries, English people stopped recognizing the old meaning of "fast" and replaced it with "face," which sounded more accurate, but the meaning remained the same.

It may be hard to believe, but the meaning of "penthouse" was originally associated with a small attached structure rather than with luxury apartments. It comes from the French apentis, which referred to a simple construction against a wall, usually with a sloped roof. In the Middle Ages, it was adopted by the English and appeared in forms such as pentis or pentice, already altered in sound.

Time went through, and speakers reshaped it into "penthouse," connecting it to the familiar word "house," even though that link wasn’t originally there. As the form changed, the meaning shifted too. Instead of a modest attached structure, it came to describe a top-floor space, and eventually a high-end apartment at the top of a building.

The verb "edit" didn’t exist as it does now. English already had the noun editor, which came from Latin and meant someone who prepares text for publication. By the late 1700s and early 1800s, English speakers began assuming that if there was an "editor," there should also be a verb "to edit". So they removed what they thought was the "-or" ending and formed a new verb: edit. This is an example of back-formation, where a shorter word is created from a longer one by mistake. Even though "edit" wasn’t the original form, it quickly became standard, and we actually use it more frequently than its original noun.

The Old English word for the snake was nædre. People would say it with the article, like "a nædre." At some point, listeners got confused about where the word actually began and started hearing it as "an adder." So the "n" shifted from the noun to the article, and eventually disappeared from the word itself.

So, it went from "a nædre" to "an adder," and finally to just "adder." This happened in past centuries when language was heard more than written, and people naturally reinterpreted where one word ended, and the next began.

A singular–plural mistake happened with the word "biceps." From Latin, where bi- means "two" and -ceps means "headed". The word is already singular, referring to a muscle with two points of attachment. When it was adopted into English, however, "biceps" was mistaken for a plural form, and "bicep" emerged as a new singular. This is another example of back-formation, when a shorter form is created by removing what people think is a plural ending.

This is a case of misdivision. The fruit has its roots in Asia, and its name travels from Sanskrit, to Persian, to the Arabic naranj. In Spanish, it stayed almost the same; it is called naranja. But in French, naranj came to be norange, and people often said it with the article "une norange". Time passed, and people started to say une orange. When English borrowed the word from French, it adopted this "mistaken version" and has remained orange until today.

After the Norman conquest of 1066, when William the Conqueror of Normandy invaded England and brought French influence to the English language, the English adopted the word cherise from the French (a variant of what today is called in French cerise). As it sounded like the word ended in "s", English thought it was plural and invented the "cherry" as its singular form.

The word "island" didn’t always have an "s" in it. In Old English, it was written as igland or yland, meaning "land surrounded by water." By the 1500s, the spelling started to change. Writers added an "s" because they thought the word was related to "isle," from the word "insula" in French. The "land" part was also kept to make the meaning clearer and avoid confusion with other similar words for water. With time, the spelling "island" became standard. Even though the "s" was added by mistake, it stayed in the word; that’s why we still write it, but never pronounce it.

In early English, sneeze was written as fnese, along with forms like fneosung (sneezing) and fnora (a sneeze). So what happened? In medieval handwriting, there was a long "s" that looked a lot like the letter "f." Because of that, people often misread the word and begin writing it with an "s" instead. That reading mistake stuck and became the standard spelling. Even though the word echoes the sound of a sneeze, its modern form actually comes from writing confusion.

Gravy comes from a French word, grané, which means "spiced". This word was also misread due to medieval handwriting and the similarities between the letters"n" and "u". So, the word came to be misspelled as graue. Today, we use either "u" or "v" depending on the sound they represent, although in medieval times these letters varied according to their position in the whole word. If it was at the beginning of it, the "v" was used, and the "u" if it was in the middle of it. It didn’t matter how it sounded. Because of these changes, grané evolved into gravy as we know it today.

Front-page worthy

Extra, extra! Read about 10 terms from the journalism world!

Image: Hümâ H. Yardım

Journalism plays a vital role in keeping us informed and connected to the world. Like any profession, it has its own unique set of terms that help journalists communicate and get the job done efficiently. These words might seem like insider jargon, but they’re key to understanding how news is gathered, reported, and presented. From "off-the-record" conversations to the "splash" on the front page, let’s explore 10 common journalism terms that are essential in the world of news reporting.

Image: CoWomen

"Off-the-record" is a term every journalist knows well. It refers to when someone shares information with the understanding that it won’t be published. This material can’t be directly quoted or attributed to the source, but it might guide a reporter’s research or provide background for future stories.

It’s a way for sources to speak freely without the fear of being publicly exposed. The trust between a source and a reporter is crucial here; break it, and you might not get another scoop.

Image: charlesdeluvio

A "cutline" is the descriptive text that you’ll find under a photo in a newspaper or magazine. It provides the context that tells you who’s in the picture, what’s happening, and why it’s important.

Without a cutline, a photo might be interesting to look at but leave you scratching your head about the details. Think of it as a photo’s partner in storytelling, giving the image a voice. Next time you glance at a photo, don’t skip the cutline; it’s there to make sure you get the full picture.

Image: Austin Distel

A "stringer" is a freelance journalist who contributes stories to a newspaper or news outlet but isn’t on the full-time staff. They’re paid per story or by the word, making them the gig workers of the journalism world.

Stringers often cover specific areas or beats that the regular staff might not have time for, bringing in fresh perspectives and local stories. It’s a flexible role, perfect for journalists who want to write without the commitment of a full-time job.

Image: Vitolda Klein

Not to be mistaken for a suggestion or advice, a "tip" is the inside scoop—a piece of information passed to a reporter, often in confidence. Tips can come from almost anyone: a source close to a situation, an anonymous whistleblower, or even a concerned citizen. They’re the breadcrumbs that lead journalists to uncover bigger stories.

A good tip can be the spark that ignites a major investigation or an exclusive piece. But tips need to be handled with care; every journalist should verify the details before running with the story, because not every tip pans out.

Image: Adeolu Eletu

If you’re thinking of the dog, think again! The "bulldog" edition is the first version of a newspaper printed for the day, often hitting the stands early in the morning. It’s like the early bird of the newspaper world.

The bulldog might not have all the late-breaking stories, but it’s the first to deliver the day’s news to the public. Back in the day, grabbing a Bulldog edition meant you were among the first to know what was happening. Even though it’s an old-school term, it’s still a symbol of the urgency in news reporting.

Image: Aditya

In journalism, a "morgue" isn’t as creepy as it sounds—it’s simply the newsroom’s archive or library. This is where old articles, photos, and clippings are stored, serving as a valuable resource for journalists looking to dig up past stories or research background information.

The morgue is filled with stories that might have been forgotten but can still offer insights or context. In today’s digital age, the morgue might be more of a digital database, but the name has stuck around.

Image: Adolfo Félix

"HFR" stands for "Hold for Release," and it’s a directive that means you have to sit tight with that story. As you can imagine, this is not a favorite among journalists!

The material is ready, but it can’t be published until a specific time, usually because the source has set a release date or there’s an embargo in place. It’s common in journalism, especially with press releases or sensitive information. Once the green light is given, the story can go live—but not a second before.

Image: Thought Catalog

This term is common in journalism, but it was actually borrowed from the marketing and sales fields. To "pitch" a story means to sell an idea to an editor, hoping it’ll get the green light to be written and published.

A pitch needs to be compelling, well thought out, and relevant to the publication’s audience. It’s a bit like a mini sales pitch, where you convince the editor that your story idea is worth their time and space. If the editor likes it, you’re on your way to writing the next big piece. So, when journalists pitch, they’re putting their best foot forward, hoping to turn an idea into a headline.

Image: Ewien van Bergeijk - Kwant

A "splash" is the big, bold story that makes it to the front page—the story that will grab readers' attention. It’s the news piece that the editors believe will make the biggest impact or stir the most interest.

The splash is usually accompanied by eye-catching headlines and prominent photos, ensuring it’s the first thing readers see. When your story is the splash, you know it’s going to be talked about.

Image: Firmbee.com

A "dummy" in journalism isn’t an insult, it’s the layout plan for a newspaper or magazine page. This diagram shows where stories, photos, headlines, and ads will be placed before the final version is printed.

It’s a crucial step in the production process, ensuring that everything fits neatly and looks good on the page. The dummy serves as a blueprint for the issue and helps designers and editors visualize the final product.